Directivity. The larger the diameter the driver, the more directional it is. In designing any system you need to pick your required coverage pattern. You don't always want extremely wide dispersion but may want high SPL capability. A recording studio would be a good example. You don't want reflections off the walls, etc. It's all about what is appropriate for the system and understanding your goals.
Many people swear by high end "fullrange" drivers like the Feastrex as the best drivers on earth. The difficulty is that by the time you get to the upper frequencies your listening area is about the size of a pin point. Obviously this is not desirable for most anyone.
I agree, flat response is not what many people want. My goal is to create a driver that will accurately reproduce the signal input to it. This means low distortion and flat response coming from the driver. It is then the job of the person building and designing the rest of the system to control how that driver is used. In most high end installs whether it is a car, church, home theater, recording studio, etc I will setup the whole system so that the response is flat. Then I lock that portion of the system out so there can be no changes made. The user then has another set of EQ that controls the input to the whole system. They can boost bass, treble, cut certain frequencies, etc to their own desire without altering the way the system was setup.
Yes, and paper cones have breakups as well. If you notice I have nothing against paper cones. Our TD woofers all use paper cones. When you start talking about getting up into the midrange and up to 2-4KHz, paper is clearly superior. For a woofer though, the aluminum works just fine and looks nice as well. I'm also able to create some jobs here in the US by having people working on them, which at this time in our country is a good thing.
Anybody can yes. Does anyone else do it the way we do? Since 2001 when the first Lambda drivers had come out I hadn't seen another do it. It's not about doing something that others aren't doing. It's simply executing what you are doing properly. Likewise, I have no doubt that Fi makes great woofers. I don't believe I've said anything bad about them. The few times I have talked to Scott he has been knowledgeable and respectful. At the same time though I could state the same that anybody CAN do what Fi is doing as well. The fact is they aren't doing it and Fi executes very well.
Absolute levels have no bearing on the measurements. No matter what your starting point, you can take that same driver and if you add inductance the delay increases. If you subtract inductance the delay decreases.
You are clearly not understanding the paper so I suggest you go read it. I do agree that positioning is very important, and you have proven a valuable point. Moving a box around in a trunk or back of an SUV can account for a 3ms time difference depending on where you have the box placed. One milisecond is approximately equal to 1ft difference. So as you know, this difference can shift around the point at which the sub and front stage will cancel. While one woofer with a given inductance could have a cancellation up over the crossover frequency where it is not a factor, another woofer with a different inductance could have that same cancellation down in the operating range.
There are some very imporant LAWS of physics that come into play with everything we are talking about. Specifically regarding inductance is Faraday's Law of Induction.
http://en.wikipedia.org/wiki/Faraday%27s_law_of_induction
It is not a theory, and the use of a shorting ring to lower inductance is also not a theory.
John