yeah but i figured id go ahead and get like a lab setup since radio shack's only goes to 120 db's and i'm past that with only a 500 watt amp... i don't have the 2 1000/s hooked up yet i'm savein ta buy em but i have hooked up some of my buddies 1000/'s to see wat it'd sound like... felt like the back door was gunna fly off lolThe best way to adjust your xovers and tune everything would be to find an SPL meter. Play a tone sweep at a lower volume and look at the results. Using that method you could set your xovers and gains to get the flattest response.
You could get by with a radioshack spl meter. You can buy them for about $36.
Component sets and subwoofers are not comparable.to go further on what he said the component idea was my inspiration...
lots of people on here would dissagree... lol but as far as my money goes reguardless on how much better it sounds... it does def. sound better... or at least have the potential to... and the price difference isn't that great for the output i'm getting plus i have a knew idea maby the reason i'm not getting cancellation as it is... even with one amp on them is the fact that one is reverse mounted... come to think of it it was the same way in all 4 systems i've done like this but the 3 others were with a 12 and 2 10's... would not the reversed mounting also reverse the phase of the wave eliminating phase cancellation? just a thought?i'l post a diagram explaining this new question...Cancellation is not the issue....or even a issue.
Is that why no sound quality world champion (I can think of) has ever done it ?but as far as my money goes reguardless on how much better it sounds... it does def. sound better...
The difference in output between a pair of 12's and a 12 + two 10's (for example) would be border-line inaudible at best.and the price difference isn't that great for the output i'm getting
Honestly, cancellation isn't really a relevant concern IMO. In a vehicle in subbass frequencies with subwoofers located in a common area we are dealing more with common compression/rarefaction of the air than we are actual "soundwaves". As long as they are wired in relative phase so they are all compressing the air at the same time....it won't really matter. Same reason you typically don't need to wire two subs "out of phase" if they are on opposite sides of the trunk facing each other....the wavelengths are simply too long to matter, as long as the subs are both compressing the air at the same time.plus i have a knew idea maby the reason i'm not getting cancellation as it is... even with one amp on them is the fact that one is reverse mounted... come to think of it it was the same way in all 4 systems i've done like this but the 3 others were with a 12 and 2 10's... would not the reversed mounting also reverse the phase of the wave eliminating phase cancellation? just a thought?i'l post a diagram explaining this new question...
do you mean showcars that try to cram every single product that the company makes into it or a car that has a good balance of equipment with even better installation at sq competitions?i haven't had much luck finding a place to see the record of world champions but i've seen plenty of demo cars's with different size sub setups
Output and low frequency extension are the primary differences, yes.so you don't think 15's and 10's sound different apart from output?
And a demo/show car is very, very, very different from building a system with the express intent of making it as accurate in it's musical reproduction as possible.i haven't had much luck finding a place to see the record of world champions but i've seen plenty of demo cars's with different size sub setups
so i'm not getting the best of both worlds having both in the car? the 10's will allways be optimal(highest spl) when delivering a punchier sound... while the 13 will always be optimal delivering a boomy sound beside that with enclosures... you can either get the punch or a boom impossible to compromise both with one encloser sometimes the sub is such good quality that the difference is bearable... but as a rule enclosers have a great deal to do with the type and feel of sound... smaller sealed boxes mean less reverberation and thus a tighter... more acurate sound with less output.... bigger sealed boxes or ported give more output but there is more reverberation so the sound isn't reproduced quite as accurate so that there is more of a boomy, or sloppy rolling than a punch even so sometimes this rolling effect is desired... a box can be acurratly enough tuned to compromise the 2 well.... but my method is bassically using 2 opimized systems mixed vs. 1 compromised aloneOutput and low frequency extension are the primary differences, yes.
And a demo/show car is very, very, very different from building a system with the express intent of making it as accurate in it's musical reproduction as possible.
Again, fantasy world vs reality.so i'm not getting the best of both worlds having both in the car? the 10's will allways be optimal(highest spl) when delivering a punchier sound... while the 13 will always be optimal delivering a boomy sound
Then you have no idea how to optimally design an enclosure for a subwoofer, integrate it into a system and properly tune it.beside that with enclosures... you can either get the punch or a boom impossible to compromise both with one encloser sometimes the sub is such good quality that the difference is bearable...
Agreed.but as a rule enclosers have a great deal to do with the type and feel of sound...
Uhh....no.smaller sealed boxes mean less reverberation and thus a tighter... more acurate sound with less output....
Again, incorrect.bigger sealed boxes or ported give more output but there is more reverberation so the sound isn't reproduced quite as accurate so that there is more of a boomy, or sloppy rolling than a punch
You aren't "optimizing" anything, sorry to tell you.a box can be acurratly enough tuned to compromise the 2 well.... but my method is bassically using 2 opimized systems mixed vs. 1 compromised alone
exactly you just said the same thing i said in more words... that PUNCHY sound comes more from 10's because they emphasize middbase... and geting lower sub frequencies out of them requires crossover settings to make them play lower frequencies... but i'm not doing that... i'm letting them over emphasise middbase and letting the big one over emphasize the sub bass... the 10's play what they are most comforatable with and letting the big one handle what it's more comforatable with... 80- 90 hertz from a 13 would sound like **** at least not be very loud at all... but from a 10 it can hit the range decently(not great... but decently) i don't think anyone would argue against the fact that a 10 is better suited for higher frequencies than a 13 also as far as sound goes there might not be much difference but in air movement there is... because a sound wave is only how the air is moving in the car... you get a different "feel" of the sound comeing from the subs... for example i can almost allways without seeing the setup tell what size subs there are in the car between 10's and 15's and that has nothing to do with spl because there is a car up the road that hit 144 with 2 10's, reguardless the 10's soundwaves are different than the 13's the best way i can explain it is that... your getting one large sound wave from a large sub as opposed to many small waves from smaller subs... to get the same amount of spl... i really discovered this to be true when i heard 2 systems one with 3 10's the other with 1 15... we adjusted them to the same spl and set a glass of water on them both the one with the 15 had the water jumping much more than the one with the 10's... i understand that the test isn't exactly scientific since they were diff cars but they were still similar... an explorer and a gmc jimmyAgain, fantasy world vs reality.
A 10" sub is not "punchier" than a 13 (or 15). The diameter of the sub literally has nothing to do with high frequency output within the limited bandwidth we are dealing with. Likewise, that "boomy" sound is what some people prefer to call actual subbass. Not overemphasized midbass coming from a subwoofer....which is that "punch" you are referring to.
exactly you just said the same thing i said in more words... that PUNCHY sound comes more from 10's because they emphasize middbase...
Not sure where you are getting that from....but it's not accurate in the slightest.80- 90 hertz from a 13 would sound like **** at least not be very loud at all...
Not inherently. And to the contrary, so can many larger-than-10" subwoofers.but from a 10 it can hit the range decently(not great... but decently)
Anyone with a relatively decent concept of loudspeaker dynamics would disagree with that statement.i don't think anyone would argue against the fact that a 10 is better suited for higher frequencies than a 13
Now you're just hallucinatingfor example i can almost allways without seeing the setup tell what size subs there are in the car between 10's and 15's and that has nothing to do with spl because there is a car up the road that hit 144 with 2 10's, reguardless the 10's soundwaves are different than the 13's the best way i can explain it is that...
Huh ? //content.invisioncic.com/y282845/emoticons/confused.gif.e820e0216602db4765798ac39d28caa9.gifyour getting one large sound wave from a large sub as opposed to many small waves from smaller subs... to get the same amount of spl...
Uhh.....wow.....I'm not even sure how to respond that that nonsense //content.invisioncic.com/y282845/emoticons/eyebrow.gif.fe2c18d8720fe8c7eaed347b21ea05a5.gifi really discovered this to be true when i heard 2 systems one with 3 10's the other with 1 15... we adjusted them to the same spl and set a glass of water on them both the one with the 15 had the water jumping much more than the one with the 10's... i understand that the test isn't exactly scientific since they were diff cars but they were still similar... an explorer and a gmc jimmy