What vehicle, power, frequency, mic location?Walls are intended to seal off a section of the vehicle not needed (or wanted) to have the airspace compressed. Any intention to push that definition beyond that boundary, including discussing budgets or cone area, is irrelevant. Just ask Nate Munsen if you need X amount of cone area to justify a wall (hit 169.7db with a single 10, in a wall install).
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Nate's was just a burp machine, I didnt mean to imply otherwise. As far as your questions on the install, it was an SUV iirc, but the rest Ive forgotten by now. The mic was an AC mic iirc, but still, at the time the world record was in the mid 170's, so a 169.7 with a single 10 was a real eye opener for the entire SPL competition scene. Im a bit surprised you dont remember Nate's score, it became quite famous pretty quickly.What vehicle, power, frequency, mic location?
either way it's impressive, but I doubt tony is shooting solely for a burp machine...
I might not have been active or entirely aware of the whole SPL scene when that happened... It's just my personal opinion that walls should be reserved for show vehicles, db drag vehicles, and other competitive cars. In my mind, I doubt I'll ever see a wall that is a practical daily driver.Nate's was just a burp machine, I didnt mean to imply otherwise. As far as your questions on the install, it was an SUV iirc, but the rest Ive forgotten by now. The mic was an AC mic iirc, but still, at the time the world record was in the mid 170's, so a 169.7 with a single 10 was a real eye opener for the entire SPL competition scene. Im a bit surprised you dont remember Nate's score, it became quite famous pretty quickly.
The sub was a DD9510 btw, but he also did a drop-in replacement with several other subs including a W7 and got within a couple db of what the DD did. It was he, and that install, that truly showed people how important install is is versus equipment used. Of course, again, this was simply for burping where raw pressure is the goal, not a wide useable bandwidth of freqs for music where equipment becomes a bigger factor.