I do it the simple way buy something with a built in mic and let it take care of all phase and alignment issues...
Ive yet to encounter a mic based auto-EQ that did an adequate job of setting things correctly. At best, they get you in the ballpark. Ive not played with an MS8 though, Im told it does a significantly better job due to its dual mics.
Wow !!! Sounds like alot of work just to accomplish correct staging and imageing. Wouldn't it be easier with correct speaker placement, EQ flat, good amp (with adequate battery power) and a good 2 way component set ??
You can get good sound that way as well...//content.invisioncic.com/y282845/emoticons/smile.gif.1ebc41e1811405b213edfc4622c41e27.gif
If you happen to own a center cockpit vehicle, whose interior was pretty much designed around speaker placement first and everything else second, with the speakers exactly equidistant from you (all of them), that is infinitely wide or is made of revolutionary sound absorbing materials (including no glass), then and only then might you not see a benefit from sound processing such as an EQ and/or TA.
LOL, this thread is now about over EQing. I could be wrong but I typically look at setting the eq as a way to hammer out the resonating frequencies my car causes and boosting the signal where the speaker lacks, NOT addin more bass and highs to mah system. I use T/A but sorta sparingly. If you have good imaging to begin with then you dont need to **** with everything so much, plus it will always sound better if you physically have everything in the right place rather than trying to play with the HU getting it to sound right. I have also found that I dont like auto TA/EQ, usually sounds better when I do it myself. also will take time to point out that I HAVE MY GAINS LEIK TURNED LESS THAN HALF WAY UP DERRR
You bring up a good point so far not mentioned here. When adjusting your EQ, always cut freqs, never boost. This means setting it backwards from how many people think they should proceed. The 'holes' in your sound become the benchmark, and all other freqs are cut down to it's level. This is because adjusting the EQ up from zero/neutral is the same things as the dreaded 'bass boost' feature we all hate. It boosts the signal at that freq, thereby making it quicker to clip at the amplifier.
If you aren't using well built kick panels for your front stage (mid and tweet there, midbass in door, ideally), then there's virtually no chance you have good staging/imaging to begin with (without processing). If you have your mids and/or tweets mounted to your doors, and you dont use processing, you dont have good S/I to begin with. When matallica's drum solo shifts from the left speaker to the right speaker, if people hear that (obvious) shift they think 'my sh
it stages like a motherf
ucker' but the reality is that is not a good measure of staging.
Fine tuning is a relative term. IMO, unless you've built a serious, almost world-class SQ competition worthy system... and if you've done this you dont need me to explain whether or not you did it correctly... your setup needs more than 'fine tuning'. Most people, even most enthusiasts, simply tune for freq response and stereo separation/bias. Many people dont even understand what proper staging is, even many people who think they do. Not talking about you nate, or anyone else I quoted here... just a general statement.