bose301s
5,000+ posts
I can break these cuffs
Or you could just kill yourself, I am sure that would make many people happy.how bout this- we both log off.. and you never log back on. that works.
Or you could just kill yourself, I am sure that would make many people happy.how bout this- we both log off.. and you never log back on. that works.
You have ALWAYS sucked si's dick. its nothing new. and im glad you trust jimj's opinionYou haven't stated your feelings here, but you have stated them before, and then you said you did not like linear technologies. Also, you are one of the few who don't like the Mag. I trust JimJ's opinion quite highly as from reading his posts he has very similar tastes as I do, and he loved the Mag, so you can't say I am just ******* SI's dick.
Anything ya got, whether it is here in the thread through links or whatever, through PMs or even email, I don't care.Sure! I'm more then willing to teach...it's how we all learn.
What would you like to know about inductance and how/when it starts effecting frequency response?
original. really. come back when you have something more creative than something a 12 year old would say.Or you could just kill yourself, I am sure that would make many people happy.
Ok, here's a quote from a decent article that I found, mainly so I do not have to type. I will give the pat on the back for xbl^2 lowering inductance and using a smaller coil...but power handling must be addressed otherwise, the original link is from here: (Regardless, this does not make me like the sound of the technology, this is based SOLELY on personal preference, nothing to do with Fi or anything)Anything ya got, whether it is here in the thread through links or whatever, through PMs or even email, I don't care.
Our coils are well under 4mH, if that gives you an idea in relivance to frequency response. The article also explains why we do..what we do. Which farther backs my argument of having to over build everything. Bottom line, we do not want any returns. Period.Le
The Le specification represents the speaker’s inductance. All speakers have an inductance… after all, their voice coil is a copper winding, just like an inductor. Most subs won’t have this specification included, which is a shame, because while it won’t really tell you whether a speaker is very good or not, it can tell you if it’s very bad or not. It can also help a seasoned speaker aficionado determine the quality of the motor. In general, stay away from a speaker that’s got a large inductance, say 3mH or higher on a 4 ohm sub. That 3mH inductance represents the equivalent of a 1st order crossover at around 185hz. You want your sub to be able to play flat at least 1 octave above the crossover frequency you select, which means that with a corner frequency of 185hz, 1 octave below that is 93hz. By crossing any higher than that, the natural rolloff of the sub is going to combine with the active subwoofer crossover you use. This isn’t the end of the world, but it’s nice if you can avoid it. Since power handling has an awful lot to do with how much current can pass through a voice coil, it’s pretty much necessary for high power subs to have massive voice coils, which also have massive inductance. There are various methods to designing the motor assembly to reduce a driver’s inductance, but it adds considerable expense and just doesn’t exist on lower priced subs. While this isn’t the end of the world when choosing a sub, it’s something that you need to be aware of when deciding “SQ” or “SPL”, because this is one of the major reasons why it’s going to be tough to get significant levels of both in lower priced subs. This is also going to make it difficult to get big SPL out of an affordable sub, because it’s effectively reducing the sub’s sensitivity at any frequency above the corner frequency (the frequency where the high frequency rolloff begins to occur), which can be quite a low frequency if the sub has a massive voice coil designed for huge power handling, but hasn’t employed some of the expensive techniques for reducing inductance. This phenomenon is part of what makes subs with XBL^2 motors so popular for SQL (combination of sound quality and SPL, explained below). The XBL^2 motor design helps lower inductance significantly, and does it affordably compared to other designs.
I have heard other subs, I may not have owned them. My brother has Type R subs, sound OK, they are tolerable and get pretty loud, but they don't sound good either. I have heard some Mach 5 MJ-18s, not impressed in the least. I heard a Memphis driver, not sure what model, it was loud, probably an SPL model, but it sounded like crap, absolutely terrible. I heard a JL W7, was loud and sounded great, but I could never justify the price tag being a student. I heard some AA Avalanches, lound and sounded great. The reason I like SI is I like the way they sound, they have worked great for me and they are reasonbly priced. If I **** SI's dick then by the same token you **** Mach 5's.You have ALWAYS sucked si's dick. its nothing new. and im glad you trust jimj's opinioni dont
then again, i dont take speaker recommendations from people i dont know, on the internet. i would also add that you should try something OTHER than si, as youve stated yourself youve owned no other subs
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Ok, that is nothing new to me there, except the actual frequencies. I just don't know the actual equations for calculating the frequencies of crossovers and that stuff, I do know why capacitors and inductors act how they do however.Ok, here's a quote from a decent article that I found, mainly so I do not have to type. I will give the pat on the back for xbl^2 lowering inductance and using a smaller coil...but power handling must be addressed otherwise, the original link is from here: (Regardless, this does not make me like the sound of the technology, this is based SOLELY on personal preference, nothing to do with Fi or anything)
http://www.iroczone.com/technical/Subwoofer/
Our coils are well under 4mH, if that gives you an idea in relivance to frequency response. The article also explains why we do..what we do. Which farther backs my argument of having to over build everything. Bottom line, we do not want any returns. Period.
Cheers!
Ok.Ok, that is nothing new to me there, except the actual frequencies. I just don't know the actual equations for calculating the frequencies of crossovers and that stuff, I do know why capacitors and inductors act how they do however.
Exactly my point.One thing about the whole "what the artist wanted you to hear" thing no one is pointing out, is that the artist/producer isn't listening to this stuff on a perfectly flat, distortionless system either, so even they don't know 100% what it really sounds like when reproduced perfectly...
just keep that in mind.
really? i dont run ANY m5 product.. so.. not real sure where you coming from there? again, try again.I have heard other subs, I may not have owned them. My brother has Type R subs, sound OK, they are tolerable and get pretty loud, but they don't sound good either. I have heard some Mach 5 MJ-18s, not impressed in the least. I heard a Memphis driver, not sure what model, it was loud, probably an SPL model, but it sounded like crap, absolutely terrible. I heard a JL W7, was loud and sounded great, but I could never justify the price tag being a student. I heard some AA Avalanches, lound and sounded great. The reason I like SI is I like the way they sound, they have worked great for me and they are reasonbly priced. If I **** SI's dick then by the same token you **** Mach 5's.
Like I said, next up on my list to test is the AV series from AE Speakers, but I don't have the money or time to do so right now.
As for opinions, why not trust someone's opinion if they have shown they like the same characteristics in sound and sound reproduction as you do?
Yes and no, the studio monitors used in many production settings are pretty clean and very low distortion. But yes, it is impossible as of yet to make a truly distortionless loudspeaker.One thing about the whole "what the artist wanted you to hear" thing no one is pointing out, is that the artist/producer isn't listening to this stuff on a perfectly flat, distortionless system either, so even they don't know 100% what it really sounds like when reproduced perfectly...
just keep that in mind.
Ah, so you **** MArk's dick just for the taste of it, I get it now.really? i dont run ANY m5 product.. so.. not real sure where you coming from there? again, try again.
flat? I don't think so, not to mention many of them are mastered for the average person's listening devices, ie: headphones and crappy factory car stereo's, etcYes and no, the studio monitors used in many production settings are pretty clean and very low distortion. But yes, it is impossible as of yet to make a truly distortionless loudspeaker.