I'm good with tech stuff but haven't paid much attention to car audio in many years so i've been doing alot of reading and researching.
I want a full range system that is more focused on clarity and quality and dynamic headroom than bump or noise. I listen to all kinds of music including Classic rock, Jazz, Blues, folk, and classical so I'm after tight accurate reproduction with nice tight bass and excellent mid and highs... Without spending a small fortune. Ok so the small fortune part isn't looking good right now.
I've got a subaru wagon and I've put Alpine 80 Watt RMS (250 Peak) in the doors and cargo shoulders and replace the head unit with a lower-mid range Sony that unfortunately has only 4 channel pre-outs with 2 volt signal the rear channel can be switched to subwoofer on the head unit.
I wasn't happy with my upgrade from factory sound so I realized that my Sony power rating wasn't really 52 Watts per channel (I was looking at Peak) and was seriously under-driving my Alpines.
So now I'm upgrading again. I just purchased,
JL Audio G Series G4500 4 channel AB Amp for the Alpines (still shipping).
I'm looking at also adding to the low end with a JL Audio G1700 D class mono Amp (about 300 RMS @ 4 Ohms) to drive a sealed enclosure,
JL Audio CS110RG-W3v3 (a 10 inch 100-500 wattRMS). This is a rear firing unit shaped to go behind the back seats facing out the hatchback
So here's my questions.
Generally hows this plan sound for my needs as stated above? (I'm not looking to shake the parking lot at the beach on a daily basis but I want some rich sounding tunes that I can crank up now and then when the time and place is right and considerate. I want all my music to sound good at all volumes, doors open or shut. I want my low end to reflect the recording and the accurate notes and octaves, not the port tuned bump).
I bought a 4 Ga. wiring kit for the first Amp, but since I have two will one 4 Ga. lead wire from the batt. be enough. I probably won't drive this too hard so I'm thinking it should be fine. It's just that I noticed it's kind of hard to find a distribution block with equal sizes going in and out, and the JL specs say I must use at least 4GA for both of these amps.
Secondly since I'm on a budget and I'm getting the 4 Channel at least a few weeks to a month before I get the other sub amp I was wondering if it would hurt my 4 channel to run the sub with 2 of the channels and all 4 4 Ohm speakers with the other two (2 Ohms per channel). Is that a good way to blow something out? At least this way I'd have control of sub volume on my head unit since it only has front and rear out.
(Of course when I get the other Amp I'd re-wire it to one speaker per output)
How important for quality and noise reduction to have a higher voltage preamp voltage. I was looking at head units today to find a better one (with 6Channel Pre-outs so I have fade capability AND sub control) and I noticed that most of the better ones have 4 to 6 volt signals, whereas mine only has 2 volts, and probably less since I'l have to possibly bridge it depending on how I wire the channels to Amps.
If I don't get another head unit, then what I'l have to work with is 4 channels of preouts. I'm thinking I'd have to either bridge one pair (probably with the four channel amp input settings) so that my front signal is used to amplify all 4 of my Alpines. Then the other 2 channels can be input into my sub amp.
This means I'd have no ability to Front/rear fade my Alpine 2 ways, but I could contol my Sub from the head unit.
Is there any advantage in plugging all 4 channels into the 4 channel amp with full front/rear fade ability and then using the pass through pre-out to power the subwoofer? I would have to probably buy the Amp remote volume controller if I did that, but maybe it's worth it.
I'l probably have to edit this post a bit to make it shorter and more clear, and maybe add a question or so. Thanks for looking.
I want a full range system that is more focused on clarity and quality and dynamic headroom than bump or noise. I listen to all kinds of music including Classic rock, Jazz, Blues, folk, and classical so I'm after tight accurate reproduction with nice tight bass and excellent mid and highs... Without spending a small fortune. Ok so the small fortune part isn't looking good right now.
I've got a subaru wagon and I've put Alpine 80 Watt RMS (250 Peak) in the doors and cargo shoulders and replace the head unit with a lower-mid range Sony that unfortunately has only 4 channel pre-outs with 2 volt signal the rear channel can be switched to subwoofer on the head unit.
I wasn't happy with my upgrade from factory sound so I realized that my Sony power rating wasn't really 52 Watts per channel (I was looking at Peak) and was seriously under-driving my Alpines.
So now I'm upgrading again. I just purchased,
JL Audio G Series G4500 4 channel AB Amp for the Alpines (still shipping).
I'm looking at also adding to the low end with a JL Audio G1700 D class mono Amp (about 300 RMS @ 4 Ohms) to drive a sealed enclosure,
JL Audio CS110RG-W3v3 (a 10 inch 100-500 wattRMS). This is a rear firing unit shaped to go behind the back seats facing out the hatchback
So here's my questions.
Generally hows this plan sound for my needs as stated above? (I'm not looking to shake the parking lot at the beach on a daily basis but I want some rich sounding tunes that I can crank up now and then when the time and place is right and considerate. I want all my music to sound good at all volumes, doors open or shut. I want my low end to reflect the recording and the accurate notes and octaves, not the port tuned bump).
I bought a 4 Ga. wiring kit for the first Amp, but since I have two will one 4 Ga. lead wire from the batt. be enough. I probably won't drive this too hard so I'm thinking it should be fine. It's just that I noticed it's kind of hard to find a distribution block with equal sizes going in and out, and the JL specs say I must use at least 4GA for both of these amps.
Secondly since I'm on a budget and I'm getting the 4 Channel at least a few weeks to a month before I get the other sub amp I was wondering if it would hurt my 4 channel to run the sub with 2 of the channels and all 4 4 Ohm speakers with the other two (2 Ohms per channel). Is that a good way to blow something out? At least this way I'd have control of sub volume on my head unit since it only has front and rear out.
(Of course when I get the other Amp I'd re-wire it to one speaker per output)
How important for quality and noise reduction to have a higher voltage preamp voltage. I was looking at head units today to find a better one (with 6Channel Pre-outs so I have fade capability AND sub control) and I noticed that most of the better ones have 4 to 6 volt signals, whereas mine only has 2 volts, and probably less since I'l have to possibly bridge it depending on how I wire the channels to Amps.
If I don't get another head unit, then what I'l have to work with is 4 channels of preouts. I'm thinking I'd have to either bridge one pair (probably with the four channel amp input settings) so that my front signal is used to amplify all 4 of my Alpines. Then the other 2 channels can be input into my sub amp.
This means I'd have no ability to Front/rear fade my Alpine 2 ways, but I could contol my Sub from the head unit.
Is there any advantage in plugging all 4 channels into the 4 channel amp with full front/rear fade ability and then using the pass through pre-out to power the subwoofer? I would have to probably buy the Amp remote volume controller if I did that, but maybe it's worth it.
I'l probably have to edit this post a bit to make it shorter and more clear, and maybe add a question or so. Thanks for looking.
