adio
5,000+ posts
THE STEREOTYPE FIGHTER!!!
easy question. how do u make an SPL - based sub have more SQ? do u just give it bigger sealed box? give it a low tuning (26 -32Hz)?
both. it seems like alotta people are hesistant on buyin kickers l5/l7 cause of the supposed poor SQ. when polecat comes hear and says thats' not true about any of their subs, he never says what gives kicker great SQ. i'm tryin to find out what it is.Depends on the sub.
Some will sound like poop no matter what //content.invisioncic.com/y282845/emoticons/biggrin.gif.d71a5d36fcbab170f2364c9f2e3946cb.gif
Seriously though, the answer is going to be subwoofer specific. For example, a lot of SPL oriented subs are designed for ported boxes, so putting them in a sealed enclosure all together will net poor results. Others will still do admirably in a sealed enclosure, so for those it's a good manuvear.
Are you just asking in general, or about a specific subwoofer?
what was it about most of the installs?Moderately large sealed enclosures will help the L7 series (atleast the older series. Not sure if the same applies to the new '06 models).
While in most of the installs I've listened to, they've sounded like ***....they have won world championships in the hardest class of IASCA. That says something.
When you are competing against the best sounding vehicles in the world, with musical content that extends all the way down to 18hz, and into the 20's on just about every song....you can not win world finals in the toughest, most stringent class without having a subwoofer that is sonically up to the challenge.Kickers win SQ comps because of the front stage and not because of the subs. Plain and simple.
Heh....the guy installing and tuning them.....so squeak, do u know what it is about kickers substage installs that makes them win?
what he saidKickers win SQ comps because of the front stage and not because of the subs. Plain and simple. When they are crossed over in the 50hz region, it's fairly moot how accurate they are as there is very little of the music down that low. To build a great SQ system, get it sounding excellent without the subs there at all and then you can add pretty much any sub to fill out the last half octave or so and call it a day.
Most of the tonality of the subbass comes from the drivers playing the harmonics of the subbass freqs. As long as the midbasses are up to the task of providing the impact of the transients, all the sub has todo is provide the fundamental. When you need accurate output in the 20hz range, only a sealed enclosure is going to get you there. Try to tune a ported enclosure low enough to play those freqs and the phasing and group delay would totally ruin any chance of accuracy. As Loyd mentioned, minimizing excursion is important as well to keep the sub operating in its most linear range. But I will say again, one of the best ways to get a sub to sound good is to limit the range that it needs to play by crossing it over as low as possible. and pairing it with a midbass that will cover the rest.When you are competing against the best sounding vehicles in the world, with musical content that extends all the way down to 18hz, and into the 20's on just about every song....you can not win world finals in the toughest, most stringent class without having a subwoofer that is sonically up to the challenge.
The L7 being inside that vehicle surely does not make it the best sounding subwoofer on earth. But it has to be capable of sonic accuracy. Having a substandard substage could easily make the difference between a 1st place and a 2nd place at that level of competition.
x2Heh....the guy installing and tuning them.....