the reason i have never liked coax in the front doors is the tweeter aiming/location. low in the door behind a grill will result in an overall loss in detail and high frequency response. tweeters blocked by knees are not easily heard.
kicks take a lot of work to do well, usually involving some permanent modifications to the car - but with a kick source the need for T/A is diminished. i currently run door midbass, kick mid, and apillar tweeter. tonight i changed signal pathways to simplify the system. luckily my xtant amps are very flexible. i have wired these two 403a amps up in over a dozen different ways in the past few years - various combinations of passive bridged or bi-amp, active with amp crossovers, active with external crossovers, active with processors, active with a HU only - and a combination of running a 2-way or 3-way front stage with a variety of speakers including 1" dome tweets, 2" full range, 3.5" mids/full, 4" mids/full, 6.5" mids, 6.5" midbass. the front stage amps have remained the same throughout.
+all of the theory i have posted before on PLD, IID, ITD, and HRTF is spot on (no surprise).
+kick mids can help build a 2-seat car.
+door midbass is easy and performs well if properly treated.
+kick midbass is difficult and even after it's well built you can encounter resonance in the floor.
+small, full-range cone drivers don't work off axis - no high frequency response. they can sound very smooth though.
+a-pillar tweeter aiming is vital - mostly in it's relationship to the windshield. aiming back at the C-pillar works well but level is crucial and the left tweeter should have a stronger signal in the left ear compared to the right ear of both passengers (and vice-versa) - tweeter location and aiming control this.
+a-pillar tweeter aiming that's horizontal has phase interference off the glass.
+factory dash locations (corners pointing up) can work well if you want a non-focused sound stage - you get many arrivals.
+if the vehicle/cavity resonance of the speaker location is within the bandwidth of the speaker - change something (damping or x-over)
+the more things you put in the signal path, the more things you hear in addition to the original signal.
/my ramblings at 1am