Stick with my AV15, or upgrade to the TD18H+?

All I have to say is that you're an idiot. You don't know anything about how audio works and when someone who does tells you what to do you ignore them, hopefully you end up wasting more money and more money and never are happy.

 
All I have to say is that you're an idiot. You don't know anything about how audio works and when someone who does tells you what to do you ignore them, hopefully you end up wasting more money and more money and never are happy.
I'm an idiot. Thats great. I've been doing this for 10 years now and have never had an issue like this. I'm no engineer, but I have a fairly basic idea of how this stuff works. It's got me stumped. I'm trying to understand why this is happening this time. Why, all of a sudden, do I need some massive front stage or an EQ to do the same thing much lesser systems have always done for me before? This is the part I can't wrap my head around.

 
Why, all of a sudden, do I need some massive front stage or an EQ to do the same thing much lesser systems have always done for me before? This is the part I can't wrap my head around.
What other systems have you had?

The point John was getting at was that your problem could have been that your AV didn't "lack" in upper end extension, but that you have an excessive amount of low-end output that in-comparison makes the upper end appear to sound less powerful. Your frequency response is far from linear just as a simple function of that enclosure being placed in a vehicle. If most of your experience as been with sealed enclosures, for example, you wouldn't have experienced this phenomenon nearly as much as you are now as the shallower/earlier low-end roll off of a sealed enclosure generally matches the increased cabin gain resulting in a much more smooth frequency response.

 
What other systems have you had?
The point John was getting at was that your problem could have been that your AV didn't "lack" in upper end extension, but that you have an excessive amount of low-end output that in-comparison makes the upper end appear to sound less powerful. Your frequency response is far from linear just as a simple function of that enclosure being placed in a vehicle. If most of your experience as been with sealed enclosures, for example, you wouldn't have experienced this phenomenon nearly as much as you are now as the shallower/earlier low-end roll off of a sealed enclosure generally matches the increased cabin gain resulting in a much more smooth frequency response.
What else have I had in this vehicle - none. What else have I had in the past - oh god. Should I go by which vehicle (20+), or which setup in each vehicle?

First car started with 3 JL 10W0's and a Punch 100ix. Then it turned into 7 10W0's. Next vehicle switched to 3 12W0's off a punch 250a2. That one was loud as hell, amazingly. Next vehicle started with something I forget, but switched to a pair fo sealed Orion XTR Series 2 1`2's (my favorite subs to this day - I'd murder somebody to get some more, I'll never ever sell my 10's). Forget what I switched to after that. Then a pair of HLS 12's that I picked up cheap. They went into the 4th car. sold them and grabbed some POS Audiobahn 12 that my little punch 40i popped in a week. Then something else then something else, then a bunch of RF HE's, HE2's, XLC's (worked at BB at the time - ~2001). Kicker Solobaric (round). Pair of ED 2003 (e cone, last before flat cone) 10k's ported, a 12k, a Pioneer 304C (still own). The list goes on and on. They've gotten progressively better over the years. Oh, and tried out a pair of RE8's, my Orion XTR Series 2 DVC 10's were ****ing amazing, and again, I'll never sell them.

 
cant believe you sold it, a sealed box or EQing would of fixed your problem, you just needed to lower the bottom end and up the upper end a little and it would sound sweet, you know first hand how well these subs sound, and they're more than capable of playing upto 100hz+

who did you sell it to and what are your plans now?

 
cant believe you sold it, a sealed box or EQing would of fixed your problem, you just needed to lower the bottom end and up the upper end a little and it would sound sweet, you know first hand how well these subs sound, and they're more than capable of playing upto 100hz+
who did you sell it to and what are your plans now?
Sold it because I'm frustrated and pissed off. Plans - no idea. I have back to back sunday autox's on the 19th and 26th, I'll worry about it more after that.

And I still don't agree with the EQ part. How on earth is lowering my low-end with an EQ going to make me happy, when I want more low end than I already have? It's surely not too much, but killing that as well is going to piss me off more. If the science behind it makes sense, then so be it, I just can't wrap my head around it. I don't beleive an EQ should be used on the subs, there's no reason the enclosure cannot be manipulated to fit the vehicle/issue. If it can',t then you aren't using the right driver. If that were teh case, it wouldn't matter what drivers we were using, we could EQ every one of them to give the same response, just different output levels. 1 problem at a time.

And currently, I'm considering a trio of DIYMA 12's (since they're so cheap right now). Going to do some searching, if I can find some old Orion XTR's, I'll run as many of them as I can get my hands on. I miss my old ones. Also still possibly considering the 18. My logic says the 18 makes sense at least. Same displacement as the AV15, more efficient, john claims 8db more at 70Hz, therefore it should get louder up there, no??

 
the AVs in a ported box are going to be bottom heavy, they have a low FS, you dont need to lower the bottom end with an EQ, you can raise the top end, and with your box designed how it is theres no way you can expect much top end, its a straight out bottom end heavy box, and you're not even giving the sub its full potential, you could give this thing 1500+ wrms, tune the box a lil higher, raise the upper end on an EQ, and it will be louder and more punchy than it was to begin with..

 
I'm an idiot. Thats great. I've been doing this for 10 years now and have never had an issue like this. I'm no engineer, but I have a fairly basic idea of how this stuff works. It's got me stumped. I'm trying to understand why this is happening this time. Why, all of a sudden, do I need some massive front stage or an EQ to do the same thing much lesser systems have always done for me before? This is the part I can't wrap my head around.
Glad you see it bose's way, your gonna throw your experience around now. You have your shit tuned to 25 hz which i dont know anything about your sub or that company at all but i dont know anything thats going to sound good at the freqs. your listening to tuned that low, try 36ish, And you say lesser systems have done that for you, then get a lesser system and be happy. You say you only want to pay for a box once, you need to get time or get a lot more money because i can guarentee youll need to do more than one box if you truely want to be happy. Sometimes, somewhere, someone might get lucky enough to build the perfect box for there sub,car, power and music preferences but most of the time youll need more than one try.

 
And I still don't agree with the EQ part. How on earth is lowering my low-end with an EQ going to make me happy, when I want more low end than I already have?
I think expectations are a big part here too. Your original goal was for it to sound good, so I gave you suggestions on that. I have spent hours and hours in AIM discussing things and trying to help you figure out the problem. First your sub output on your head unit didn't work, but you swore up and down that everything was fine in the signal to the amp. Now because the sub output doesn't work you have it run off the front output, getting the same signal as your front stage. This means they are getting the same signal but at a time delay due to the distance and there will be some cancellation between them at the crossover frequency. I've suggested playing around with raising the LPF all the way up to get a better idea of what's going on. I've suggested adjusting the phase on the subwoofer amp which would eliminate the cancellation once the phase is correctly aligned. Your amplifier is rated at 75x2 or 300W bridged at 4ohm. Yes, they have a birth sheet that says something like 1000W RMS, but that is very misleading. There is a huge difference between RMS, and continuous power which is what you should really look at. RMS power doesn't technically exist. Just power. RMS current x RMS voltage = Power. RMS power is just .707 x the peak power. You can have a power supply cap that for a brief moment will let you deliver a large amount of power and voltage and put this high rating on it. That doesn't mean it delivers that in a real world application. Think about it though. If the amplifier really was able to deliver a continuous 1000W would it make any sense to call it a 150W amp? As a result I asked you to measure voltage and current when you thought things were loud. This would tell you what your amp is really delivering. You are likely well underpowered and have plenty of room to go. I explained how to measure the power to get an accurate check of what is going on. You told me you measured 40 amp which would equate to 6400W being output by your 150W amp. I don't think that is the case. In addition to all of that, your port is way too small. You start to get into power compression issues with only about 200W input and begin losing output from there on up.

You say you want more low end than you already have but also say that the AV15 currently "makes the wipers dance off the windshield with lil john" and makes "my spoiler look like it's about to rip itself to shreds." If you truly have 1000W being delivered to it and no port compression issues, you'll be capable of upper 140dB range at 30hz. That sounds like to most people it is quite loud from what you said yourself, especially with all of the things going against you above. If you want more output, tune it higher at loss of some extension.

It's surely not too much, but killing that as well is going to piss me off more. If the science behind it makes sense, then so be it, I just can't wrap my head around it.
You aren't losing any low end output. You are simply matching the high end output to it. The same as when you match levels on your front stage to the sub.

I don't beleive an EQ should be used on the subs, there's no reason the enclosure cannot be manipulated to fit the vehicle/issue. If it can',t then you aren't using the right driver. If that were teh case, it wouldn't matter what drivers we were using, we could EQ every one of them to give the same response, just different output levels. 1 problem at a time.
Now you are back to wanting flat response where before you wanted an even more exaggerated lowe end than the huge peak you have already. You just can't have both from the same sub. Well you can, but it requires two EQ settings and multiple ports to tune to different frequencies. My DCX2496 has 2 settings for the sub. One is for my daily use system with the small subwoofer. It's flat to under 10hz. The other one is specific for SPL type use, just need to get an amp for this. The daily use system is EQ'd flat and then EQ'd back up to my liking in the region for kickdrum, bass guitar, etc so it sounds how I like it. Loading a different EQ program gives me more output where i need it for SPL. Unfortunately I really do only have a 300W amp for the subs.

One more time, look at the transfer function of the Escort. This was measured from an escort just like yours. It is accurate and it tells you what is going on.

escort_tf.gif


The closest approximation is that the cabin gain is around an 18dB per octave rolloff from 75hz to 19hz if you ignore the bump at 45hz or so. A sealed system rolls off at 12dB per octave so you'll still have significantly more low end than needed to match the upper bass. A vented tuned to 75hz would give you a 24dB rolloff. You need to be right in the middle to get nearly flat, BUT as you said, you still want MORE low end also and aren't looking for flat. You are limited on the upper end to the efficiency of the driver (90.5db) plus the gain from the amp (1000w = 30dB gain) or around 120dB. There is no way around that unless you get more power or more efficiency. That is where the TD18H+ comes in because it is 8dB more efficient. It has the highest Xmax (14mm) of any prosound driver in it's class. It has the lowest distortion and the best power compression as well. You can put in enough power to reach peaks of over 130dB before cabin gain is figured in. Kick drum at only a few feet away at 130dB is LOUD.

Also still possibly considering the 18. My logic says the 18 makes sense at least. Same displacement as the AV15, more efficient, john claims 8db more at 70Hz, therefore it should get louder up there, no??
Yes, 98dB 1W/1m, 8dB or so louder than the AV woofers. High efficiency with very low power compression and distortion. Regardless though you still need to look at the other issues you are having. They will apply to any woofer.

John

 
In addition to all of that, your port is way too small. You start to get into power compression issues with only about 200W input and begin losing output from there on up.
John
I can't argue with much of this, but if you're going to be a dick, here's proof that i did EXACTLY what you told me to do:

http://www.aespeakers.com/phpbb2/viewtopic.php?f=2&t=1720

Hi Ken,
This looks pretty good. Just make sure you keep the vent area large enough. To keep vent velocity low you'd want about a minimum 6" diameter vent coming to about 28" long. A slot vent is probably more practical. You'd want 28sq inches of port. Something like a 14" x 2" slot vent that would also be 28" long.

John
My enclosure is 3.5 cubes tuned to 25 Hz. Port is 14.5" x 2", therefore 29 inches^2.

 
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