Before ever reaching clipping, and with wattage and gain levels matched, no filtering or EQ being applied at the amplifier, nothing changed at the head unit, I can tell you that my Zed gear, SONY gear, Zeff gear, whatever gear, sounds different from each other. Yes I have the drivers to provide that level of resolution and the ears to detect the difference. To help drive that point home and remove any doubt, I build my own ribbons and I can detect the difference in the foils used to make the element. I have no doubt you have the level of intelligence to be able to appreciate that feat.
How do you measure resolution (not distortion) and ambient cues? How do you measure the character of the bloom when multiple instruments are striking the same chord? How do you measure the apparent difference in the presentation of the timing (being able to keep pace, or the leading edge of the music if you will) of different amplifiers? Some amplifiers have less or no global feedback, some have absolutely analytical amounts of feedback applied, some have harmonic time alignment. Some use mosfets, some use n-fets, some are bipolar. Even if every one of those amplifiers was exactly matched for power levels, there's no way they would subjectively sound the same unless YOU couldn't tell the difference.
You're right - the RC challenge was never about proving that all amplifiers sound the same, it was about a head fuck. Amplifiers do sound different, no matter how gross or subtle the difference may be, or how inept the individual is at being able to notice the difference. It's really that simple.
And yes - I am a huge tweaker, lol.