What does a bass boost do?

it clips by trying to increase the signal strength i was refering to. sorry. lets say you have 2v pre outs, and u have the boost on full, the amp tries to amplify that signal at specifcally the disigned Hz. i belive.

 
Okay I see now I think

 

---------- Post added at 11:32 PM ---------- Previous post was at 11:31 PM ----------

 

And does your username refer to bikes or quads. Or something?

 
Bass boost is no more dangerous than the bass control on your HU or equalizer. In fact they do exactly the same thing, except that the boost control only affects the sub amp. The key is to set your sub amp gain with the control at full boost, so it can only be used to turn the bass down not up. No clipping, no distortion, no problem.

 
Bass boost is no more dangerous than the bass control on your HU or equalizer. In fact they do exactly the same thing, except that the boost control only affects the sub amp. The key is to set your sub amp gain with the control at full boost, so it can only be used to turn the bass down not up. No clipping, no distortion, no problem.
You are half right. Yes, you can set your gain with the bass boost at full, and avoid clipping. But then you are loosing a lot of output (up to 18 db's) at all freqs other than where the bass boost operates. Bass boost is in no way a good thing, to be completely frank.

Gain attenuators means when set on maximum, they allow the full current draw/pass of your amplifier at whatever gain setting you have it at. So if you set your gain attenuator at full before setting the gain, you get all the benefits of a bass control knob, and none of the negatives of a 'boosted' signal in a very limited bandwidth. Bass boost sucks, gain attenuators are very useful.

Clipping is a bad thing for one main reason. Imagine what a sine wave looks like. Its a line that deviates from the zero position, oscillates to one extent, and then reverts back to zero and extends to the opposite extent, before finally returning to zero (one full sine wave). The area under the wave (the space between the sine wave and the zero point line) is a visual representation of the power being produced. How far the sine wave deviates from the zero line represents amplitude. The problem with a squared wave is, the area under the sine wave gets larger, while the amplitude does not increase, creating that plateau or flat spot in the wave form. This means you are increasing power to the speaker, but the amplitude is not increasing. So more power is going to the speaker, but the cone is not moving any further. That added power is completely wasted in terms of output produced (again because the cone excursion does not increase), but the speaker must still dissipate the extra heat generated from that added power. This is exactly why clipping, a squared wave, tends to create thermal failure in speakers.

But, keep in mind, its not the squared wave form itself that causes damage, its the heat from the added power. So if you hook a 100 watt amp to a 1000 watt speaker, and clip the hell out of the amp, the speaker will still remain safe, because its capable of handling more than enough power to compensate for the clipped 100 watt amp. I only say this because a lot of people tend to think distortion, in and of itself, somehow damages speakers. A speaker doesn't care if its reproducing distortion (a squared wave) or not. In fact, it has no idea its reproducing distortion. To the speaker, that distortion is simply another part of the signal it is expected to reproduce.

Hope this helps.

 
You are half right. Yes, you can set your gain with the bass boost at full, and avoid clipping. But then you are loosing a lot of output (up to 18 db's) at all freqs other than where the bass boost operates. Bass boost is in no way a good thing, to be completely frank.Hope this helps.
shortened it up for smaller post. thanks. helped me put 2 and 2 together more so.

 
What I'm trying to ask is what the amplifier does to boost the signal. Not that it distorts it and is bad and such. I know all that. Like, how it boosts the signal.

 
Nice post Audioholic.

Lowflyin: bass boost, like any EQ, adjusts the voltage in the audio signal. The range of frequencies that are affected depends on the Q of the filter. Once voltage is increased at the amplifier. power increases (assuming load is constant). So by turning up a 45Hz bass boost knob, you are increasing amplification of frequencies centered around 45Hz.

Amplifiers perform two main functions: increase signal voltage and source current.

Every other signal component (head unit, eq, crossover, etc.) just controls signal voltage. Some use filters to just adjust voltage across a band of frequencies,

 
To say that bass boost is bad is to also say that EQ's are bad. Bass boost is just a single band EQ. Good bass boost designs are parametric and offer boost or cut.

Either bass boost or eq's can improve or hurt the overall performance of the system - depending on how they are used.

Bass boost is nice in some systems since the head unit bass EQ is typically at 100Hz. Increasing the signal strength at 45Hz may be just fine with proper gain settings and crossovers.

If you plan on using a bass boost feature, I recommend adjusting the gain accordingly - turn it down since signal strength is higher.

Clipping is readily apparent in modern music: which lacks any resemblance of dynamics. Modern music is mastered to play well on the radio and in cheap ear buds. In an effort to maximize signal strength, clipping occurs in the mastering process. Clipping and other waveform distortions are also readily apparent in electronic music. As Audioholic stated, clipping does not damage speakers - heat does. Can improper use of bass boost and gain settings result in blown speakers? Sure, we've seen it many times before. But it's not right to blame the equipment or features of the equipment for what was a poor installation and improper usage/abuse. //content.invisioncic.com/y282845/emoticons/smile.gif.1ebc41e1811405b213edfc4622c41e27.gif

 
Clipping is readily apparent in modern music: which lacks any resemblance of dynamics. Modern music is mastered to play well on the radio and in cheap ear buds. In an effort to maximize signal strength, clipping occurs in the mastering process.
Clipping, or compression? I know that pop music is compressed to keep the average level high, like broadcasters do with commercials. Hard clipping would produce odd harmonics that are painful to listen to. Soft clipping (compression) doesn't make dangerous square waves.

Semantics, perhaps. Thanks for the informative post.

 
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