Bringing this back from the dead for a quick update. The comps are still running passive, but now bridged on my 36501 and I have time aligned and EQ'd a bit. Even before TA and EQ, there's a definite improvement in impact and airiness to the point where you get a much better feel for the recording space. Once I took my RTA app and started taking care of the peaks (with a small boost in the 3.5-5k region), they really started coming alive. I'm finally getting that impact that I was missing from my drums. A snare hit actually has a reverb proportional to its space. Instruments have a tangible location. For instance, when I was listening to some Every Time I Die (hardcore's always recorded jacked up, but these guys somehow actually care how they sound recorded), I could tell the vocalist was up front, the drummer was off to the right of the vocalist, the bassist was in front of the drummer, and the guitarist almost danced around the soundstage at times. Additionally, the stage is at least on the dash, but it'll probably take a more accurate RTA than my phone to move it further onto the hood.
As a guilty pleasure, I also listened to the intro off of Orgy's "Vapor Transmission" album (great demo for staging, surprisingly) and you really get a sense of depth. Kinda surprises you as well when the beat starts dropping towards the end of the song.
So I'm continuing to be impressed by these and will have to post another couple videos when I fix my sub stage. For those of you who don't know, I encountered a weird situation where I can either have my front stage volumes match or have control of my sub while bridged, but not both at the same time. Going to add an OS Kenwood 2-channel for the ID10 to remedy this. Suffice to say, these comps definitely benefit from more power.