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out of curiosity: could a flared port be considered a horn? Or is there something that makes it fall out of that category?what about a kerfed port?
I see what you're getting at but I'm of the opinion that it's either a horn or it's a vent. Hopefully, whether it's one or it's the other, you've arrived at that point by design and not by mistake. A horn is an impedance transformer with a compression chamber and a flare (originating from the compression chamber), expanding at either an exponential or hyperbolic rate. That wouldn't describe a port/vent in the conventional sense.

I would consider a kerf to be a flared vent but there's lots of manipulation out there creating some gray area.

 
Single flare to me is still an aeroport
I call my single 6" with a single flare an aero anyways
Remember, the air that travels through a vent alternates back and forth. That means that your aero with one flare is only aerodynamic in one direction, which makes it a non-linear device at high velocity.

 
out of curiosity: could a flared port be considered a horn? Or is there something that makes it fall out of that category?what about a kerfed port?
No no no, a flared port is merely there to remove port compression which can lead to less port noise and greater output. A horn, however, manipulates the back wave of the speaker and loads and unloads it by using different widths until when it reaches the outside, the horn gives you more output as it reduces the directivity of the sound towards you. Think of placing a speaker first in the air, then on the ground, then in a corner of a room. If the speaker is facing you each time, which application do you think will yield the highest SPL?

 
No no no, a flared port is merely there to remove port compression which can lead to less port noise and greater output. A horn, however, manipulates the back wave of the speaker and loads and unloads it by using different widths until when it reaches the outside, the horn gives you more output as it reduces the directivity of the sound towards you. Think of placing a speaker first in the air, then on the ground, then in a corner of a room. If the speaker is facing you each time, which application do you think will yield the highest SPL?
IIRC, Horn transfers pressure into speed. At least, that's the general use of the shape of a horn.

 
What is aerodynamics? The word comes from two Greek words: aerios, concerning the air, and dynamis, which means force. two pieces of pipe one with a flare and one without and a cement block all have aerodynamic specs or qualitys right. some have less coeficent drag numbers than others. usage of the word aero is not realy right in any case flared or not except that it means air.

 
IIRC, Horn transfers pressure into speed. At least, that's the general use of the shape of a horn.
Basically as ciaonzo said, a horn is used for impedance matching. What is impedance matching? Well, the material that the cone of your driver is made from is far denser than the air in which it's oscillating. This causes inherent inefficiencies when trying to move decent amounts of air to get low frequency output. What a horn does is by gradually radiating outwards, it tricks the speaker into thinking the density of the cone and density of the air are similar, which allows it to move into the lower octaves easier and with more output. Technically speaking, this is called impedance matching and what it means for us is that a speaker can turn high pressures at low displacements into high displacements at low pressures. How that works is that at the throat of the horn where the passage is narrow, it loads pressure there using some physics developed by Bernoulli about fluids. Once the pressure at the throat is loaded, the horn then expands usually exponentially, but as ciaonzo said, hyperbolic expansions and others are also in use. That means, as said, it builds a lot of sound pressure there for a relatively small amount of cone movement. As the air moves through the expanding portion of the horn, the sound unloads and creates a seemingly higher displacement of air, but at a much lower pressure.
Flared ports do not load and unload the air passing through them, and in fact, they are utilized to prevent that from happening, so no, a flared port and a horn are completely different.

So what I just described is the more technical reasoning behind what I said previously. By creating a larger displacement of air at lower pressure, the loudspeaker then makes the sound coming towards you less directional, which is exactly what happens when you're using larger drivers moving more air.

 
Screw ports PRs FTW!!
Some people want to grow up to be like athletes, movie stars, astronauts or something else where you're well known. I want to grow up to be like Dr. Klippel //content.invisioncic.com/y282845/emoticons/biggrin.gif.d71a5d36fcbab170f2364c9f2e3946cb.gif

 
Screw ports PRs FTW!!
Screw ports public relations. //content.invisioncic.com/y282845/emoticons/laugh.gif.48439b2acf2cfca21620f01e7f77d1e4.gif

glass-spiral.gif


 
Basically as ciaonzo said, a horn is used for impedance matching. What is impedance matching? Well, the material that the cone of your driver is made from is far denser than the air in which it's oscillating. This causes inherent inefficiencies when trying to move decent amounts of air to get low frequency output. What a horn does is by gradually radiating outwards, it tricks the speaker into thinking the density of the cone and density of the air are similar, which allows it to move into the lower octaves easier and with more output. Technically speaking, this is called impedance matching and what it means for us is that a speaker can turn high pressures at low displacements into high displacements at low pressures. How that works is that at the throat of the horn where the passage is narrow, it loads pressure there using some physics developed by Bernoulli about fluids. Once the pressure at the throat is loaded, the horn then expands usually exponentially, but as ciaonzo said, hyperbolic expansions and others are also in use. That means, as said, it builds a lot of sound pressure there for a relatively small amount of cone movement. As the air moves through the expanding portion of the horn, the sound unloads and creates a seemingly higher displacement of air, but at a much lower pressure.
Flared ports do not load and unload the air passing through them, and in fact, they are utilized to prevent that from happening, so no, a flared port and a horn are completely different.

So what I just described is the more technical reasoning behind what I said previously. By creating a larger displacement of air at lower pressure, the loudspeaker then makes the sound coming towards you less directional, which is exactly what happens when you're using larger drivers moving more air.
PV, my hat's off to you. I sure didn't feel like typing all that up but you did it with gusto.

 
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