Actually, I am going to have to agree with mokedaddy and squeak9798 and I am going to open my mind on this topic! If ALL class D amplifiers are flawed, there is NO WAY that I would have liked the Digital Designs or the MOJO series of amp. If you had put a gun to my head and asked me to pick out the difference between those amps and a quality Class AB amp, I wouldn't have been able to do it because they hit fast paced material with no problems.
Maybe my logic is flawed here, but my inconclusive testing probably uncovered other factors as to why some of the other class D setups I have heard sound like garbage. The first thing I will blame is a budget amp. Besides some psychological factor of one amp costing three times as much as another, there has to be a reason why a Digital Designs Class D amp or a Memphis MOJO cost more than a Hifonics Brutus, Autotek, Cadence, etc. With that said, I would be willing to bet that a quality Class D amp is nearly impossible to distinguish from its Class AB competition from 20 to 70 Hz!
Oddly, it may not be the budget amp itself. What about the signal processing of the built-in crossover on this budget amp as others have pointed out? I don't know about any of you, but when signal processing built into amplifiers first became popular, I still preferred using my Coustic XM3 to the amplifier's built-in processing.
Last on the list, I will blame setup and tuning. Some of these guys were running pre-fab enclosures with systems installed by your typical BB/CC or ignorant mom & pop shop. I have learned through the years that I can make something "cheap" sound pretty good with a little effort. Unfortunately, any idiot can make something expensive sound like *** due to their ignorance or inexperience!
Oh, while I am at it, I figured out how to get the 13w6 in my Mustang sounding better.... I had to lower the subwoofer gain a tad. Even though I went through all the pains to set the gain properly, the Class D output section of my 25 to Life Power 1000 was outputting MORE voltage than I had originally set it. Oddly, I think that may be why the Bxi 1608D sounded like *** on the PG 10s compared to the Lunar. It's gains were set sooooooo close to the clipping point, the Disturbed tracks may have been able to push it into levels of audible distortion, hence the one big blah.......