Yeah, two 12's is about 50 sq/in more cone area. I've always preferred two 12's to one 15. I feel like the 12's can still hit some of the depth that some 8's and 10's might have a little bit harder time with, but doesn't have the lag and sloppy weight problems that 15's can have.
Don't get me wrong. I'm not bashing on 15's. If you want a loud-azz system that will rock the block, get 15's............hell, get 18's and put a couple thousand watts on em. Just for SQ and for my personal preference, 12's are the largest I will go now, maybe 13 if I ever went to Focal, JL, etc.
most educated thing ive read all day, lol
you still have alot to learn but for this question id rather have 2 12s if you have enough room to provide them the proper airspace for a proper ported box.
reason being is yes more cone area can move more air easier than the lesser cone area but it would only be louder at lower volumes when the intensity of the cone movement isnt much different. at high power a single 12 can have alot of energy in direction of travel which leads to a more intense hit at higher frequencies than that of a dual 12 system in split power.
but with a dual sub system u have the ability to later upgrade power without stressing the subs quite as much, and putting 700w on a 500w sub is alot easier for a good sub to handle than a 1200w sub on 1400w for extended periods of time assuming adequate venting design for the sub, especially with modern music incorporating clipping into the recording process. soft clipping doesnt usually hurt subs but dealing with a 700w clip is easier than a 1400w clip since clipping is immediately related to heat build up. 700w will generate much less heat than 1400w.
this wont really matter with the subs you have picked but it is a decent theory.
sub size does not at all correlate to how the sub will sound as far as sloppy or tight goes. a 8inch sub will exhibit a peak at a higher frequency than an 18inch sub but similarly the same peak will happen to the 18inch sub but at a lower frequency. a good box designer can over come both of these peaks and smooth out the response or tailor it to your liking.
ive had systems with 2 8s, 4 10s, 2 18s, and 2 21s, and at the median listening volume of about 120db you couldnt tell the difference in the setups except that the larger cone area subs could play lower down to sub hearing levels. while that is fun and part of real music the 2 8s could easily play down to 28hz with enough authority to please most people.
im my personal systems i usually stick with 2 10s, may they be morel ultimos, infinity kappa perfects, kicker comps at one point(yea i know but i bought them off a buddy that was in a bind), memphis c3s(which i hated), memphis m-class(which i loved), sundown sa10s, sd10s, dd 2510s, dayton ho subs shocked me, and though ive never bought them i have contemplated a pair of jl 10w6.
never really was a fan of big cone area all thats good for is letting sound travel out side the car and down the street in my experience.