True. For playing an orchestral piece at full volume, even if the subs are handling just 35Hz and below, that's a lot of air that needs to be moved. But even then, they should stay at a realistic level...not become what you notice. Even if that's at a pretty high volume.thats not always based on how loud it may be..
Because if you're trying to reproduce what you hear on a stage, it does no good if the horn section is in front of you, and the kettle drums are sitting in the lobby somewhere //content.invisioncic.com/y282845/emoticons/biggrin.gif.d71a5d36fcbab170f2364c9f2e3946cb.gifWhy does it matter where the sound is coming from?
If you're talking about making your substage louder, you're not talking about "SQL". Period.True. For playing an orchestral piece at full volume, even if the subs are handling just 35Hz and below, that's a lot of air that needs to be moved. But even then, they should stay at a realistic level...not become what you notice. Even if that's at a pretty high volume.
i've heard stock setups that are that loudWhen I have to talk loud so the person next to me can hear what Im saying.
...more like yelling as loud as you can and they still cant understand you..When I have to talk loud so the person next to me can hear what Im saying.
that must be approximately 138 deebeeeezz...more like yelling as loud as you can and they still cant understand you..
A lot of the time when people say SQL they're talking about bass."Sound Quality Loud" is just a stupid term to me. It's like someone didn't realize that pure SQ can be loud - very loud, in fact. Volume has nothing to do with it. So it's typically used as some sort of compromise between SPL and SQ...for people who want to "hear the words", basically. That's not SQ, that's just SPL with more attention paid to what's above 100Hz //content.invisioncic.com/y282845/emoticons/smile.gif.1ebc41e1811405b213edfc4622c41e27.gif
That comment was trying to make the point that if you really want a loud SQ setup, the first thing to do is work on your midbasses/midranges/tweets and make sure they're capable of high dynamics first. That's really where the work is.
130 decibels!!!!!!! Tell me more, Mad Mike!! //content.invisioncic.com/y282845/emoticons/laugh.gif.48439b2acf2cfca21620f01e7f77d1e4.gifthat must be approximately 138 deebeeeezz
Yea, and they always sound like shit when doing it.i've heard stock setups that are that loud