Oraclem19
Senior VIP Member
Trying to give an equal fade or some emphasis to the lower tones of the hearing range in my stage (33-150/200hz) and have so far been able to do a decent job of the lower ranges(33-50 hz) but am struggling to keep the pressure there with 45-150 hz.
Still working with unsealed factory doors.
Is a good 6.5 in a deadened, polyfilled or inuslated, sealed door the end all solution to loud mid-midlow bass?
Or could a 8 modified into these positions or added as a sealed attachment to a sub box a better idea?
Could it almost be considered to use a high-er Fs 10" in a sealed box/high port Fs box to get these ranges taken care of on top of the sub-stage?
Could likely find a solution to this with lots of research and trial and error, that would need a lot of funds that I do not currently have at this time, and my car sound is lacking.
I could be overlooking a lot of box options for 12"s and 10"s or even 8"s like the SA-8, and not even need to sacrifice midrange stage to get this balanced. Any help from the practiced of this forum would be much appreciated, as would any other advice.
Still working with unsealed factory doors.
Is a good 6.5 in a deadened, polyfilled or inuslated, sealed door the end all solution to loud mid-midlow bass?
Or could a 8 modified into these positions or added as a sealed attachment to a sub box a better idea?
Could it almost be considered to use a high-er Fs 10" in a sealed box/high port Fs box to get these ranges taken care of on top of the sub-stage?
Could likely find a solution to this with lots of research and trial and error, that would need a lot of funds that I do not currently have at this time, and my car sound is lacking.
I could be overlooking a lot of box options for 12"s and 10"s or even 8"s like the SA-8, and not even need to sacrifice midrange stage to get this balanced. Any help from the practiced of this forum would be much appreciated, as would any other advice.
