f'in sweet man. Do you guys get customers with lotsa money? im assuming? around here, all the audio shops sell over 150+ CompVR's and L7's a week, or Powerbass lol. Nothing "quality" much around here.
l7s are quality, just more geared towards being loud.. Still not cheap by any means when paying the retail price. Which was about 400 for the l7s when I worked at cc...
this makes me regret wanting to sell off all of my daily driver gear... //content.invisioncic.com/y282845/emoticons/frown.gif.a3531fa0534503350665a1e957861287.gif.. Beautiful setup man.
this makes me regret wanting to sell off all of my daily driver gear... //content.invisioncic.com/y282845/emoticons/frown.gif.a3531fa0534503350665a1e957861287.gif.. Beautiful setup man.
How do Hertz comps compare to Rainbow, they look absolutely amazing. I am looking at possibly going with the Rainbow Germs, what would Hertz have that's comparable.
compared to one of my friend (lyttleviet's above) preferences, he has a Rainbow Germanium profi kickbass and hertz mlk 165 , the hert's midbass are better in low -end handling . Hertz's tweeter with silk dome and the design with "chamber" in the back of the tweeter gives out very smooth and detail. Not as harsh as the Rainbow's tweet . I have auditioned a pair of Germanium b4 and i like the tweeter's on that pair as well. It just need good placemet depends on how u like it.
Nice demo room u got there with quality speakers and amp.
DAMM THOSE Crossover for MLK 2 is that BIG? is that crossover capable of adding the ribbon of the MLK 3 on it as well?