Horns

you need too look at the x over slope too. and if you have the room horns are alot easier to mount than making any kind of pod. looking for a mid/mid bass to go along i would look into a pr of beyma power m6 6.5's. again x over slope will be important as with any set up i have done with horns 24 db was used and with that phase was either 180 degrees off or right on. fire them from under the dash straight out. a horns weakness is not heigth the disperse very very well up and down its width they can have an issue with (hence the shape of the horn body) that being said if done right they kill regular speakers in staging and as far as being "in your face" it gets no better.

 
ya you will deffinently be done way before me...

and mine will have no problem keeping up with my mt's i can guarentee you that //content.invisioncic.com/y282845/emoticons/wink.gif.608e3ea05f1a9f98611af0861652f8fb.gif

either way i wanna hear your horns if you get them

 
ya you will deffinently be done way before me...
and mine will have no problem keeping up with my mt's i can guarentee you that //content.invisioncic.com/y282845/emoticons/wink.gif.608e3ea05f1a9f98611af0861652f8fb.gif

either way i wanna hear your horns if you get them
depending on what set of horns he gets he may need more subs lol back when i had my firebird i had a set of cd 3 ultra comps turned way down as they would over power 2 idq 8 dvcs and 2 15" idws rather easily. when i rolled my windows down you heard the lyrics every bit as well as you heard the boom from over a block away with much traffic noise.

 
in an old school outlaw spl contest (before the filters where put on) set up exactly how i had it (roughly 12 watts turned down max amp the would do is 25x2 rms and the speakers could do 100w rms) it burped a 153 in the throat to flash dance lol. granted they dont use mics like that anymore but in my firebird you couldnt yell loud enough to be heard from the driver side or the passenger side (for the other person to hear you). in the opening of marilyn manson's "sweet dreams" you couldnt hear yourself scream. that horn had a sensitivity right around 109-113 db

 
in an old school outlaw spl contest (before the filters where put on) set up exactly how i had it (roughly 12 watts turned down max amp the would do is 25x2 rms and the speakers could do 100w rms) it burped a 153 in the throat to flash dance lol. granted they dont use mics like that anymore but in my firebird you couldnt yell loud enough to be heard from the driver side or the passenger side (for the other person to hear you). in the opening of marilyn manson's "sweet dreams" you couldnt hear yourself scream. that horn had a sensitivity right around 109-113 db
i really wanna hear some nice horns...never heard em

my 8 "supertweeters" are 105dB efficient...

 
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