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<blockquote data-quote="shredder1" data-source="post: 8914647" data-attributes="member: 658920">That response is epic, kudos to you for typing all that. Triggered? Nah... just a response to sq guys who tap out everytime the levels get over 145. Accuracy is something I treasure and am constantly tuning to achieve but when I get that bug? All bets are off.I&#039;m an ex sq guy, competed and all once upon a time so there&#039;s that. I stand by my statement especially when &quot;esoteric&quot; gear is involved in a shop environment. Its payday and the vultures circle from manufacturer reps to lol... tuning the thing. I never meant to disparage, but when lower octave output is being discussed regarding amplifiers its not a debate imo. I&#039;m talking about stoopid subs in enclosures with stoopid bandwith. That is where I see most designs nowadays. I can&#039;t advise a T-Line or horn since they all want mad power and bandwith. I guess what was said is more about cone control in the lower frequencies and extreme levels.</blockquote>

[QUOTE="shredder1, post: 8914647, member: 658920"] That response is epic, kudos to you for typing all that. Triggered? Nah... just a response to sq guys who tap out everytime the levels get over 145. Accuracy is something I treasure and am constantly tuning to achieve but when I get that bug? All bets are off. I'm an ex sq guy, competed and all once upon a time so there's that. I stand by my statement especially when "esoteric" gear is involved in a shop environment. Its payday and the vultures circle from manufacturer reps to lol... tuning the thing. I never meant to disparage, but when lower octave output is being discussed regarding amplifiers its not a debate imo. I'm talking about stoopid subs in enclosures with stoopid bandwith. That is where I see most designs nowadays. I can't advise a T-Line or horn since they all want mad power and bandwith. I guess what was said is more about cone control in the lower frequencies and extreme levels. [/QUOTE]

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