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<blockquote data-quote="thadman" data-source="post: 2372771" data-attributes="member: 561122"><p>from all the distortion measurements ive seen...NO 6.5/7" could maintain the same low levels of distortion into the midbass region. The distortion goes through the roof beyond 100hz...</p><p></p><p>just so we're all on the same lines...(accepted octave definition by recording studios)</p><p></p><p>20-40hz = lowbass</p><p></p><p>40-80hz= midbass</p><p></p><p>80-160hz= highbass</p><p></p><p>160-320hz=lower midrange</p><p></p><p>320-640hz mid midrange</p><p></p><p>640-1.28khz upper midrange</p><p></p><p>1.28-2.56k lower treble</p><p></p><p>2.56-5.12k mid treble</p><p></p><p>5.12k-10.24k upper treble</p><p></p><p>10-20k top octave</p></blockquote><p></p>
[QUOTE="thadman, post: 2372771, member: 561122"] from all the distortion measurements ive seen...NO 6.5/7" could maintain the same low levels of distortion into the midbass region. The distortion goes through the roof beyond 100hz... just so we're all on the same lines...(accepted octave definition by recording studios) 20-40hz = lowbass 40-80hz= midbass 80-160hz= highbass 160-320hz=lower midrange 320-640hz mid midrange 640-1.28khz upper midrange 1.28-2.56k lower treble 2.56-5.12k mid treble 5.12k-10.24k upper treble 10-20k top octave [/QUOTE]
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