Trepkos
10+ year member
CarAudio.com Elite
Warning! Lots of reading, numbers, and questions.
Not saying that this is the best and most proper way to tune your system but Ive had my system installed for the past two weeks and Ive been playing around it a bit, never coming to a satisfactory sound and ofcourse Im a complete novice to the subject and any and all friends who run systems in this area usually run theirs with their bass boost on max and gains maxed as well, so no real knowledge to be found in this area.
But in this process, I will be using the following to set the gains, pass filters, and other small details including HU settings to see if I can get the safest, most satisfactory, and also best sounding/loudest optimal performance from my system.
Now there will be problems that I will run into and thats the reason I am posting this as in depth and careful as possible to help and receive help as these problems arise.
Tools I will be working with:
80gb Ipod Classic(Will be using this for music playing ability)
Test Tone CD(10-300hz)(This will be used for selecting playing frequency as well as gains setting.)
DMM(Will be used for measuring impedance, DC Vs, and AC Vs)
Calculator for adjusting different knobs on the amplifier.
Notepad for taking notes.
And assorted tools for disconnecting speaker terminals and adjusting knobs.
The equipment is in my signature. And I will be using a digital camera and camcorder to record every progress made.
Woo, Amplifier Setting!
First up, we're going to set the different settings on the amplifier besides the gains/level/sensitivity knobs. This will mainly be the different filters, phase, and other options.
First, we're going to start with the Hifonics 1606d mono-channel amplifier. The subwoofer is a 15" Fi Q DVC 2-Ohm subwoofer which is wired in parallel to 1-ohms. Since the Hifonics amplifier is 1600watts @ 1-ohms and also overrated, it should be a perfect match for the slightly underrated yet 1000watt thermal handling of the 15" Fi Q.
The 15" Fi Q is sitting in a box at approx. 3.35ft^3 with a port that is 7" tall and long, and 25"'s long resulting in a tuning of 34hz.
The mono-channel amplifier's LPF knob is only marked at its beginning(35hz) and end (250hz). We'll want to set the LPF at around 80hz so that the subwoofer does not attempt to play any notes higher than 80hz. Since the knob is unmarked, we will guesstimate and use a little math to adjust it.
Such as:
250 - 35 = 215hz
215hz*1/4(Or also .25) = 53.75hz
Now lets add 35hz to that value and we have:
88.75hz, That is slightly higher than our target value so we'll lower the knob ever so slightly below 1/4 of its turning range. And guesstimate that we're in the lower 80's or higher 70's area.
Now that we have the LPF set to a optimal frequency, it is time to set the Sub-sonic filter also to a frequency. The sub sonic filter disallows the subwoofer to play below its given frequency. Its knob is also unmarked in incremental values so we must use a little bit of math here as well.
The SSF knob on the Hifonics 1606d begins at 15hz and ends at 35hz. A good frequency for this would probably be 25hz so that the subwoofer does not play any note below 25hz which could result in bottoming out and may also damage the subwoofer.
We'll also be using math here as well, but no guesstimating.
35 - 15 = 20hz
20hz*1/2 = 10hz
10hz + 15hz = 25hz
So according to the above, to reach our target value, all we have to do is set the knob to the 12'o clock position. Since the sub woofer is behind the seat, there is no need for a phase adjustment. And the goal to getting a good, loud, and unclipped signal will mean that the remote bass boost and amplifier bass boost remain untouched throughout this process.
Also setting the gains will be our next process.
Next up we have the Sundown SAX 100.2 two channel amplifier which is rated at 100x2 @ 4-ohms, slightly underrated so close to 125x2 @ 4-ohms. This amplifier is powering the Rainbow SLC component set which takes around 100 wrms; 150 wrms maximum.
There are three switches on the amplifier, LPF, Full, and HPF.
Since the two channel amplifier is powering the front stage and the front stage only, we will be using the HPF, which will render the LPF knob on the amplifier useless. The HPF knob, as with the Hifonics LPF knob has unmarked increments aswell, so will be using some mathematics and guesstimating to sort out the HPF here.
The beginning and end values are 50hz and 500hz.
500-50 = 450hz of range.
We're looking at the amplifier picking up the note range where the amplifiers have left off. Thus we're looking in the 80-90ish range. Around 85hz. We dont want the midbass and subwoofer playing the same notes, because either the subwoofers will struggle to hit the highs, or the midbass will struggle to hit that low.
Basically since 50hz is extremely close to this value and a 35hz rise is very little given the range, we'll just barely turn the HPF knob above 50hz. But realistically we're looking at moving it around 1/12's of the way around.
As with the other amplifier, the bass boost will be untouched, so will the LPF, and also will the sensitivity for now.
With these settings set, the speakers should be doing the following.
The subwoofers should have a playing range of 25hz - 80ish hz.
The component set should have a playing range of 85hz - Max Tweeter freq.
Now to correspond these figures with the settings on the head unit and we'll begin to work on the gains.
The x991 has a crossover feature which allows you to choose and manipulate a playing range for your front, rear, and subwoofers. But we're only working with the front and subs.
he cross over allows you to choose the octave and and intensity of the slope, the slope determines the falloff in volume per octave above and below the determined octave.
We will set this accordingly to our amplifier settings.
The subwoofer will be set with the phase normal, the playing frequency will be 60hz with a slope of -12db. This allows the subwoofer to play with the approx. volume until the amplifier's LPF cuts it off.
The front midbass will be set with the following, 80hz with a -18db slope, to quickly eliminate any possible notes which may have not be accounted for below the supposed 85hz HPF setting.
Now there are a ton of features on the x991 but we won't get to them until later.
Now we will begin to to set our gains. FUN!
Now the input sensitivity/level/gain etc has different labels on each amplifier. The Hifonics, it is called the level and it ranges from 0.2v to 9v, pretty understandable. The sundown it is labeled sensitivity and ranged from Min to Max.
To determine the proper gains setting we're going to use the target voltage equation of:
sqrt(watts*ohms)
So according to this equation, the Sundown amplifier is rated at:
sqrt(100*4) = 20 AC Volts
And the Hifonics is rated at:
sqrt(1600*1) = 40 AC Volts
But due to the overratedness of this amplifier, achieving that voltage could mean a higher THD or distortion percentage of value so we'll aim for something less.
sqrt(1200*1) = 34.6 AC Volts
Now to achieve this, we'll first disconnect the speaker terminals to both amplifiers and we'll switch the source to CD and insert out test tone CD. Now doing this procedure will require us to do alot of monitoring. The goal of the game is to play a tone in the optimal range of the amplifier which we're setting the gains and then adjusting the gains to meet the target voltage.
First the Hifonics amplifier, this is a pretty important step because we want to get the subwoofers to play their smoothest and loudest at all possible octaves with barely if any clipping.
We'll be playing a test tone. Also for this procedure, all setting besides the HU x'over settings will be flatlined. That includes Loudness, and any volume offset. But we will also max out the subwoofer setting, this allows for maximum voltage through to the RCA pre-outs and also makes reaching that target voltage easier to achieve.
The optimal test tone given our frequency range of the subwoofer and settings on the HU and amplifier will be 50hz. Or the test tone I am playing will be 50-59hz. If needed, we may dip down to the 40hz octave.
The optimal test tone given our frequency range of the component set and settings on the HU and amplifier will be 90hz or even 100hz. We'll dip in both ranges.
With the gains properly set, there should be no need for bass boost, bass eq, different volume increasing or offsetting values on the HU. Setting these may/will clip your speakers and result in distortion that sounds plain awful and not very impressive. But if you feel the complete need to adjust these settings, do it very carefully as to not damage your equipment.
Not saying that this is the best and most proper way to tune your system but Ive had my system installed for the past two weeks and Ive been playing around it a bit, never coming to a satisfactory sound and ofcourse Im a complete novice to the subject and any and all friends who run systems in this area usually run theirs with their bass boost on max and gains maxed as well, so no real knowledge to be found in this area.
But in this process, I will be using the following to set the gains, pass filters, and other small details including HU settings to see if I can get the safest, most satisfactory, and also best sounding/loudest optimal performance from my system.
Now there will be problems that I will run into and thats the reason I am posting this as in depth and careful as possible to help and receive help as these problems arise.
Tools I will be working with:
80gb Ipod Classic(Will be using this for music playing ability)
Test Tone CD(10-300hz)(This will be used for selecting playing frequency as well as gains setting.)
DMM(Will be used for measuring impedance, DC Vs, and AC Vs)
Calculator for adjusting different knobs on the amplifier.
Notepad for taking notes.
And assorted tools for disconnecting speaker terminals and adjusting knobs.
The equipment is in my signature. And I will be using a digital camera and camcorder to record every progress made.
Woo, Amplifier Setting!
First up, we're going to set the different settings on the amplifier besides the gains/level/sensitivity knobs. This will mainly be the different filters, phase, and other options.
First, we're going to start with the Hifonics 1606d mono-channel amplifier. The subwoofer is a 15" Fi Q DVC 2-Ohm subwoofer which is wired in parallel to 1-ohms. Since the Hifonics amplifier is 1600watts @ 1-ohms and also overrated, it should be a perfect match for the slightly underrated yet 1000watt thermal handling of the 15" Fi Q.
The 15" Fi Q is sitting in a box at approx. 3.35ft^3 with a port that is 7" tall and long, and 25"'s long resulting in a tuning of 34hz.
The mono-channel amplifier's LPF knob is only marked at its beginning(35hz) and end (250hz). We'll want to set the LPF at around 80hz so that the subwoofer does not attempt to play any notes higher than 80hz. Since the knob is unmarked, we will guesstimate and use a little math to adjust it.
Such as:
250 - 35 = 215hz
215hz*1/4(Or also .25) = 53.75hz
Now lets add 35hz to that value and we have:
88.75hz, That is slightly higher than our target value so we'll lower the knob ever so slightly below 1/4 of its turning range. And guesstimate that we're in the lower 80's or higher 70's area.
Now that we have the LPF set to a optimal frequency, it is time to set the Sub-sonic filter also to a frequency. The sub sonic filter disallows the subwoofer to play below its given frequency. Its knob is also unmarked in incremental values so we must use a little bit of math here as well.
The SSF knob on the Hifonics 1606d begins at 15hz and ends at 35hz. A good frequency for this would probably be 25hz so that the subwoofer does not play any note below 25hz which could result in bottoming out and may also damage the subwoofer.
We'll also be using math here as well, but no guesstimating.
35 - 15 = 20hz
20hz*1/2 = 10hz
10hz + 15hz = 25hz
So according to the above, to reach our target value, all we have to do is set the knob to the 12'o clock position. Since the sub woofer is behind the seat, there is no need for a phase adjustment. And the goal to getting a good, loud, and unclipped signal will mean that the remote bass boost and amplifier bass boost remain untouched throughout this process.
Also setting the gains will be our next process.
Next up we have the Sundown SAX 100.2 two channel amplifier which is rated at 100x2 @ 4-ohms, slightly underrated so close to 125x2 @ 4-ohms. This amplifier is powering the Rainbow SLC component set which takes around 100 wrms; 150 wrms maximum.
There are three switches on the amplifier, LPF, Full, and HPF.
Since the two channel amplifier is powering the front stage and the front stage only, we will be using the HPF, which will render the LPF knob on the amplifier useless. The HPF knob, as with the Hifonics LPF knob has unmarked increments aswell, so will be using some mathematics and guesstimating to sort out the HPF here.
The beginning and end values are 50hz and 500hz.
500-50 = 450hz of range.
We're looking at the amplifier picking up the note range where the amplifiers have left off. Thus we're looking in the 80-90ish range. Around 85hz. We dont want the midbass and subwoofer playing the same notes, because either the subwoofers will struggle to hit the highs, or the midbass will struggle to hit that low.
Basically since 50hz is extremely close to this value and a 35hz rise is very little given the range, we'll just barely turn the HPF knob above 50hz. But realistically we're looking at moving it around 1/12's of the way around.
As with the other amplifier, the bass boost will be untouched, so will the LPF, and also will the sensitivity for now.
With these settings set, the speakers should be doing the following.
The subwoofers should have a playing range of 25hz - 80ish hz.
The component set should have a playing range of 85hz - Max Tweeter freq.
Now to correspond these figures with the settings on the head unit and we'll begin to work on the gains.
The x991 has a crossover feature which allows you to choose and manipulate a playing range for your front, rear, and subwoofers. But we're only working with the front and subs.
he cross over allows you to choose the octave and and intensity of the slope, the slope determines the falloff in volume per octave above and below the determined octave.
We will set this accordingly to our amplifier settings.
The subwoofer will be set with the phase normal, the playing frequency will be 60hz with a slope of -12db. This allows the subwoofer to play with the approx. volume until the amplifier's LPF cuts it off.
The front midbass will be set with the following, 80hz with a -18db slope, to quickly eliminate any possible notes which may have not be accounted for below the supposed 85hz HPF setting.
Now there are a ton of features on the x991 but we won't get to them until later.
Now we will begin to to set our gains. FUN!
Now the input sensitivity/level/gain etc has different labels on each amplifier. The Hifonics, it is called the level and it ranges from 0.2v to 9v, pretty understandable. The sundown it is labeled sensitivity and ranged from Min to Max.
To determine the proper gains setting we're going to use the target voltage equation of:
sqrt(watts*ohms)
So according to this equation, the Sundown amplifier is rated at:
sqrt(100*4) = 20 AC Volts
And the Hifonics is rated at:
sqrt(1600*1) = 40 AC Volts
But due to the overratedness of this amplifier, achieving that voltage could mean a higher THD or distortion percentage of value so we'll aim for something less.
sqrt(1200*1) = 34.6 AC Volts
Now to achieve this, we'll first disconnect the speaker terminals to both amplifiers and we'll switch the source to CD and insert out test tone CD. Now doing this procedure will require us to do alot of monitoring. The goal of the game is to play a tone in the optimal range of the amplifier which we're setting the gains and then adjusting the gains to meet the target voltage.
First the Hifonics amplifier, this is a pretty important step because we want to get the subwoofers to play their smoothest and loudest at all possible octaves with barely if any clipping.
We'll be playing a test tone. Also for this procedure, all setting besides the HU x'over settings will be flatlined. That includes Loudness, and any volume offset. But we will also max out the subwoofer setting, this allows for maximum voltage through to the RCA pre-outs and also makes reaching that target voltage easier to achieve.
The optimal test tone given our frequency range of the subwoofer and settings on the HU and amplifier will be 50hz. Or the test tone I am playing will be 50-59hz. If needed, we may dip down to the 40hz octave.
The optimal test tone given our frequency range of the component set and settings on the HU and amplifier will be 90hz or even 100hz. We'll dip in both ranges.
With the gains properly set, there should be no need for bass boost, bass eq, different volume increasing or offsetting values on the HU. Setting these may/will clip your speakers and result in distortion that sounds plain awful and not very impressive. But if you feel the complete need to adjust these settings, do it very carefully as to not damage your equipment.