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<blockquote data-quote="alphakenny1" data-source="post: 1796885" data-attributes="member: 561605">well he&#039;s right.&nbsp; you do have to hold that sound button i believe for more than 5 seconds to set it.also, why do you want to go into 3 way mode?&nbsp; just looking at your system, there&#039;s really no reason to into 3 way mode.&nbsp; going into 3 way mode basically means are doing one of two things:&nbsp; 1) you are going active (which seems to be you are not) 2) you are biamping a set of components so that you are able to indepedently control both the mid and tweet from a t/a and PEQ standpoint (again which to me doesn&#039;t seem like you are doing).i see no reason why you would want to use pro mode unless you get rid of that rear fill.&nbsp; in 3 way mode you activate the low pass for subs, bandpass for mids and high pass for tweets.&nbsp; the way your system is setup you probably need to HP at least the 6x9 and the components.also are you using the passive crossovers that come with your component set?</blockquote>

[QUOTE="alphakenny1, post: 1796885, member: 561605"] well he's right. you do have to hold that sound button i believe for more than 5 seconds to set it. also, why do you want to go into 3 way mode? just looking at your system, there's really no reason to into 3 way mode. going into 3 way mode basically means are doing one of two things: 1) you are going active (which seems to be you are not) 2) you are biamping a set of components so that you are able to indepedently control both the mid and tweet from a t/a and PEQ standpoint (again which to me doesn't seem like you are doing). i see no reason why you would want to use pro mode unless you get rid of that rear fill. in 3 way mode you activate the low pass for subs, bandpass for mids and high pass for tweets. the way your system is setup you probably need to HP at least the 6x9 and the components. also are you using the passive crossovers that come with your component set? [/QUOTE]

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