Well, 1/0 is good for 300-325A, but if your 60 never blew, there's no reason to change it. However, since you're apparently well below the 300A limit I'd just size the fuse based on the sum of the fuses on your amp(s).
Oh God, you're WRONG.
So, d
amn, wrong.
The fuse isn't to protect the amps, it's to protect the wire so that it doesn't catch on fire. When the fuse blows, that means the wire had too many amps running through it and was at risk of catching on fire.
For 0/1 AWG, I'd use a 300A fuse.
You fuse based on the wire, not based on the amps.
Don't post if you don't know what you're talking about.
Regarding the fusing at the d-block, why the different fuse sizes? Aren't we just fusing for the wire? The amps have their own fuses for protection.
I'm trying to figure out my setup and I'm running 4awg from the bat to the block (Stinger MIDI fused block) and then 4awg to two amps - 100.2 and 500.1 (106~ current draw). Each amp has 60amps of fusing.
I was planning on using 100a or 125a across the board (at battery and at dblock). This way I don't have to mess with multiple wire gauge and fuse rating. Is this a big no no? I don't understand why it would be, but then again I'm pretty much a noob. I was leaning towards 100a fuses because they are easier to find and cheaper for MIDI fuses.
For the utmost safety, you fuse the wire after the distribution block, for the same reason you fuse the main wire going back... incase there's a surge of amps, your wire won't catch on fire. A fused distribution block does the same thing. If you're going from 0/1 gauge to 4-AWG, you put a fuse the proper size for 4AWG (don't know the # ATM) at the fused distribution block, so you don't have to put an inline fuse for that wire.
And OP: High-end RCA cables supposedly make a difference, although most people with untrained ears won't be able to hear it. I've run cheap-o Radioshack RCA cables in every install I've ever done, and it sounds perfect. The difference in each RCA is based on the material the actual plug is made of, the size and material of the wire on the inside of the wire, and the shield around the wire. (The nicer / thicker the material, the more expensive.)
If you are just running a modest set-up, just stay with your RCA's.