ok so here me out i had a dc reference 1000.4 so it had a built in dsp 6 fuctions.......So thats why i said i would be using 1 syblink on the 4.0. SO plz explain to me why then i should use both syblinks cause when they only had one hooked up it was working both for the tweets and speakers.
Now you are confusing me.
Do you have a DC1000.4 or a C2K 4.0X ?
Without being intimately familiar with the DC1k.4, the reason a single symbilink input would work while still being full active for your 2-way is probably because the amplifier is setup in such a way that a single input is capable of delivering the left & right signals to to both sets of channels. And since the amplifier has it's own internal advanced active crossover network, each set of channels would not need independent inputs since it does all of the processing internally...so it can be fed identical signals into both sets of channels via a single symbilink and use it's internal DSP to actively crossover that signal prior to being output. Hence you can go 2-way active from that amp with a single input (assuming the one input can feed both sets of channels, and I'm assuming it can).
The reason this would NOT work when going fully active 3-way with a 4.0 is because it does not have the same internal DSP....so the input to both sets of channels would need to be crossed over
prior to being input into the amplifier. And since both sets of channels would be driving different speakers, this would require different input signals to be input into both sets of channels. Hence the need for two symbilink cables.
On the 3 way i was confused myself on what i said i need to stop typing late at night but i do understand what you mean on the three way which i probable wont do now.
There are ways they could get it "to work". For example, using one output of the DSP6 to power 2-channels which are connected to the mid and tweeter, with the mid and tweeter still utilizing their passive network. Then you could run both from a single set of channels and would only need to actively highpass the midrange and let the passive do the rest. This would free up 2nd output on the DSP6 to actively cross the midbass drivers on two other channels, and finally leave the 3rd output on the DSP6 available for handling the subwoofer processing.
Or, for the 1st output they could send it to the 4 channel 4.0 highpassed out of the DSP6 to highpass the midrange, but still feed that same signal to both sets channels (assuming the 4.0 has the capable to feed a single input to both channels) and then use the more primitive xovers in the 4.0 to highpass the tweeter and lowpass the midrange. I would hardly consider either of these two options ideal, however, as they are much more limited in their tuneability.
The above does NOT hold true if you have the DC series.
Could have fooled me with all of that Zapco gear you have //content.invisioncic.com/y282845/emoticons/laugh.gif.48439b2acf2cfca21620f01e7f77d1e4.gif