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<blockquote data-quote="keep_hope_alive" data-source="post: 7453249" data-attributes="member: 576029">the Hertz sound amazing.&nbsp; still working on the sub enclosure (he and I have been busy lately).&nbsp; &nbsp; but even without a sub, you can feel bass in your chest and seat.&nbsp; pretty cool for a simple 2-way.&nbsp; with some T/A the soundstage is incredible.&nbsp; bass is up front as well.after the sub enclosure we&#039;ll do beauty panels for the trunk.&nbsp; and he&#039;s looking at the DEX-99RS as well.yea, acoustically, the door is a challenge.&nbsp; even having a flat plane right behind the driver...&nbsp;&nbsp; then factor in the change in sound when you roll the windows down and you have glass right behind the driver and a leak along the top!!!i&#039;ve been reading a lot about concert hall design lately, there are some good books by Beranek on the subject, with reviews of 40 concert halls around the world and lots of studies on what aspects of the concert hall affect the perception of good acoustics.&nbsp; at work i&#039;m doing ITDG calculations for a 500 seat auditorium i&#039;m working on - trying to nail down the ceiling cloud reflectors and wall treatments.</blockquote>

[QUOTE="keep_hope_alive, post: 7453249, member: 576029"] the Hertz sound amazing. still working on the sub enclosure (he and I have been busy lately). but even without a sub, you can feel bass in your chest and seat. pretty cool for a simple 2-way. with some T/A the soundstage is incredible. bass is up front as well. after the sub enclosure we'll do beauty panels for the trunk. and he's looking at the DEX-99RS as well. yea, acoustically, the door is a challenge. even having a flat plane right behind the driver... then factor in the change in sound when you roll the windows down and you have glass right behind the driver and a leak along the top!!! i've been reading a lot about concert hall design lately, there are some good books by Beranek on the subject, with reviews of 40 concert halls around the world and lots of studies on what aspects of the concert hall affect the perception of good acoustics. at work i'm doing ITDG calculations for a 500 seat auditorium i'm working on - trying to nail down the ceiling cloud reflectors and wall treatments. [/QUOTE]

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