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Acoustic Elegance AV12-X D2!
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<blockquote data-quote="NDMstang65" data-source="post: 6102957" data-attributes="member: 544576"><p>How could something with less linear excursion have more output in a lower octave where it takes 4 times as much displacement to be within the same output of say a nominal 100dBa?</p><p></p><p>It's very probably that a single spider more efficient floppy suspension would appear to have 'more output' on the bottom end because it is much easier to move on a per watt basis. But there are costs to this...one is durability and idiot factor of not knowing what a subsonic filter is on something that has a long coil and capable of a lot of excursion.</p><p></p><p>But laws of physics say otherwise...it could work better in a given scenario. Which is very probable. Outside of that something that moves more on a lower frequency will always have more output in a A vs. B swap, all things constant.</p></blockquote><p></p>
[QUOTE="NDMstang65, post: 6102957, member: 544576"] How could something with less linear excursion have more output in a lower octave where it takes 4 times as much displacement to be within the same output of say a nominal 100dBa? It's very probably that a single spider more efficient floppy suspension would appear to have 'more output' on the bottom end because it is much easier to move on a per watt basis. But there are costs to this...one is durability and idiot factor of not knowing what a subsonic filter is on something that has a long coil and capable of a lot of excursion. But laws of physics say otherwise...it could work better in a given scenario. Which is very probable. Outside of that something that moves more on a lower frequency will always have more output in a A vs. B swap, all things constant. [/QUOTE]
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