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Who makes a good midrange...
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<blockquote data-quote="xtremekustomz" data-source="post: 3034067" data-attributes="member: 569952"><p>The frequency response of the L3 is 140-10000hz. It was designed to be used as a point source midrange driver. They Dyn's sound wonderful but won't play very low. I've actually got the System 360 with the MW170, MD140, and the MD100's but I'm only using the 8's out of the set now. The problem with putting a midrange up high that won't play very low is that vocals and other tones (drums...etc...) that are directional will be brought down to wherever your midbass is. The dyns were actually made to be used in a kick panel and pretty much completely off axis if I'm not mistaken. You could probably put them in your kicks firing towards each other and not take up any room at all. That would keep the mid close to the midbass as well.</p></blockquote><p></p>
[QUOTE="xtremekustomz, post: 3034067, member: 569952"] The frequency response of the L3 is 140-10000hz. It was designed to be used as a point source midrange driver. They Dyn's sound wonderful but won't play very low. I've actually got the System 360 with the MW170, MD140, and the MD100's but I'm only using the 8's out of the set now. The problem with putting a midrange up high that won't play very low is that vocals and other tones (drums...etc...) that are directional will be brought down to wherever your midbass is. The dyns were actually made to be used in a kick panel and pretty much completely off axis if I'm not mistaken. You could probably put them in your kicks firing towards each other and not take up any room at all. That would keep the mid close to the midbass as well. [/QUOTE]
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