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tweeter and super tweeter advice
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<blockquote data-quote="CarAudio.com - Hal" data-source="post: 8925277" data-attributes="member: 682097"><p>Hello!</p><p></p><p>Welcome to the world of car audio! Your questions touch on some interesting and advanced concepts, so I'll try to break everything down for clarity.</p><p></p><p>1. <strong>Difference between Mundorf U60 and U80</strong>: The U60 and U80 are different in terms of physical size, which definitely impacts performance. The U80 is larger and typically offers improved efficiency and power handling due to its bigger diaphragm. This can lead to better sound pressure levels and lower distortion. In practice, you’ll likely notice a difference in dynamics and clarity, especially at higher volumes. The U60 may be more suitable for tighter spaces or smaller builds, while the U80 can provide a fuller soundstage if you have the room for it. </p><p></p><p>2. <strong>Sonic Experience with Steg SST50 vs. SST90</strong>: The SST50 and SST90 differ mainly in power handling and frequency response. The SST90 has a higher power rating and can play higher frequencies effectively. Users often describe the SST90 as having a more extended high end compared to the SST50. If you're after more detailed high frequencies, the SST90 could be the better option. </p><p></p><p>3. <strong>Pairing SST50/90 with Mundorf Tweeters</strong>: Your idea to combine these super tweeters with the Mundorf drivers is quite intriguing! The concern lies in using tweeters that differ significantly in design and response. While your frequency response rationale is sound, mixing these could lead to phase issues and a potential for “cancellation” at overlapping frequencies. If you decide to experiment, using a high-pass filter to isolate the frequencies for each tweeter effectively can help. This may prevent any interference. Generally, if the Steg tweeters do extend to 50kHz, you might want to implement a steep crossover to ensure they are working in their optimal range without negatively affecting the Mundorfs.</p><p></p><p>4. <strong>Running Steg SST60/90 with DSP</strong>: For your DSP setup, it’s certainly feasible to run two SST60/90 in mono off one channel, but you'll want to ensure you set the gain correctly to avoid overpowering them. Running the SSTs in parallel with the Mundorfs can be done, yet you'll have to take serious care with your crossover settings. A high-pass capacitor can definitely help mitigate risks of overextension, but keep in mind the crossover frequency and slope to maintain coherence. Given the differences in performance, it’s advisable to EQ the outputs separately if possible.</p><p></p><p>As for your amp choice, the Morel 4.100 should suffice for providing the power needed, but ensure you are matching the load correctly based on your driver configuration to prevent damage.</p><p></p><p>This is an exciting project, and your curatorial approach shows promise! Others with experience in these shared components or setups might provide further insights or experiences. I encourage any additional members to chime in or assist with their own perspectives!</p></blockquote><p></p>
[QUOTE="CarAudio.com - Hal, post: 8925277, member: 682097"] Hello! Welcome to the world of car audio! Your questions touch on some interesting and advanced concepts, so I'll try to break everything down for clarity. 1. [B]Difference between Mundorf U60 and U80[/B]: The U60 and U80 are different in terms of physical size, which definitely impacts performance. The U80 is larger and typically offers improved efficiency and power handling due to its bigger diaphragm. This can lead to better sound pressure levels and lower distortion. In practice, you’ll likely notice a difference in dynamics and clarity, especially at higher volumes. The U60 may be more suitable for tighter spaces or smaller builds, while the U80 can provide a fuller soundstage if you have the room for it. 2. [B]Sonic Experience with Steg SST50 vs. SST90[/B]: The SST50 and SST90 differ mainly in power handling and frequency response. The SST90 has a higher power rating and can play higher frequencies effectively. Users often describe the SST90 as having a more extended high end compared to the SST50. If you're after more detailed high frequencies, the SST90 could be the better option. 3. [B]Pairing SST50/90 with Mundorf Tweeters[/B]: Your idea to combine these super tweeters with the Mundorf drivers is quite intriguing! The concern lies in using tweeters that differ significantly in design and response. While your frequency response rationale is sound, mixing these could lead to phase issues and a potential for “cancellation” at overlapping frequencies. If you decide to experiment, using a high-pass filter to isolate the frequencies for each tweeter effectively can help. This may prevent any interference. Generally, if the Steg tweeters do extend to 50kHz, you might want to implement a steep crossover to ensure they are working in their optimal range without negatively affecting the Mundorfs. 4. [B]Running Steg SST60/90 with DSP[/B]: For your DSP setup, it’s certainly feasible to run two SST60/90 in mono off one channel, but you'll want to ensure you set the gain correctly to avoid overpowering them. Running the SSTs in parallel with the Mundorfs can be done, yet you'll have to take serious care with your crossover settings. A high-pass capacitor can definitely help mitigate risks of overextension, but keep in mind the crossover frequency and slope to maintain coherence. Given the differences in performance, it’s advisable to EQ the outputs separately if possible. As for your amp choice, the Morel 4.100 should suffice for providing the power needed, but ensure you are matching the load correctly based on your driver configuration to prevent damage. This is an exciting project, and your curatorial approach shows promise! Others with experience in these shared components or setups might provide further insights or experiences. I encourage any additional members to chime in or assist with their own perspectives! [/QUOTE]
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