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General Car Audio
Sudden realization on Soundstage and T/A
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<blockquote data-quote="blazian87" data-source="post: 8616972" data-attributes="member: 574798"><p>here you go guys. I had a copy and thought I'd share with you guys. <a href="http://www.mediafire.com/file/h8fnmit8fhemc6c/Sheffield_Lab.zip" target="_blank">Sheffield Lab</a></p><p></p><p>You can use any burning program but if you guys don't have anything, here's IMG BURN <a href="http://www.mediafire.com/file/k11gx1o981owq7j/SetupImgBurn_2.5.8.0.exe" target="_blank">SetupImgBurn_2.5.8.0</a></p><p></p><p>01. The Power Of Seven /Stranger In My Bed(3:49)</p><p></p><p>02. Thelma Houston / Dish Rag (3:34)</p><p></p><p>03. Los Angeles Philharmonic / Dance Of The Knights</p><p></p><p>- Prokofiev (2:09)</p><p></p><p>04. Adam Makowicz With Phil Woods / Dirty Blue (3:41)</p><p></p><p>05. Michael Ruff / Wishing Well (5:35)</p><p></p><p>06. Lincoln Mayorga &amp; Distinguished Colleagues / Lincoln</p><p></p><p>Mayorga &amp; Distinguished Col1 Khz Sinewave At</p><p></p><p>-20 Dbfs (2:49)</p><p></p><p>07. 1 Khz Sinewave At -20 Dbfs (1:04)</p><p></p><p>08. 1 Khz Sinewave At 0 Dbfs (1:03)</p><p></p><p>09. 20 Hz One Octive Warble (0:04)</p><p></p><p>10. 62 Hz One Octive Warble (0:04)</p><p></p><p>11. 125 Hz One Octive Warble (0:04)</p><p></p><p>12. 250 Hz One Octive Warble (0:04)</p><p></p><p>13. 500 Hz One Octive Warble (0:04)</p><p></p><p>14. 2.5 Khz One Octive Warble (0:04)</p><p></p><p>15. 5 Khz One Octive Warble (0:04)</p><p></p><p>16. 10 Khz One Octive Warble (0:04)</p><p></p><p>17. 15 Khz One Octive Warble (0:04)</p><p></p><p>18. 19 Khz One Octive Warble (0:07)</p><p></p><p>19. Person Counting From 1 To 25 (0:44)</p><p></p><p>20. Right Channel Identification (0:05)</p><p></p><p>21. Left Channel Identification (0:06)</p><p></p><p>22. Relative Polarity Between Left &amp; Right Channels (0:13)</p><p></p><p>23. Polarity Pulses (0:59)</p><p></p><p>24. 1 Khz Sinewave With Bottom Half Clipped (1:03)</p><p></p><p>25. 3 People Describing Position On Sound Stage</p><p></p><p>In Stereo (0:33)</p><p></p><p>26. Same As Except Talking Simultaneously (0:14)</p><p></p><p>27. Music For Evaluating Accuracy And Focus Of</p><p></p><p>Sound Stage In Stereo (0:11)</p><p></p><p>28. Same As Except In Mono (l + R) (0:11)</p><p></p><p>29. Same As Except Sent To Left Channel Only (0:10)</p><p></p><p>30. Same As Center (0:10)</p><p></p><p>31. Same As Except Sent To Right Channel Only (0:10)</p><p></p><p>32. Same As Center (0:17)</p><p></p><p>33. Music Recorded With Normal Transfer Level Of</p><p></p><p>0 Db (0:45)</p><p></p><p>34. Music Recorded Withl Transfer Level Of -10 Db (0:45)</p><p></p><p>35. Music Recorded Withl Transfer Level Of -20 Db (0:45)</p><p></p><p>36. Music Recorded Withl Transfer Level Of -30 Db (0:45)</p><p></p><p>37. Music Recorded Withl Transfer Level Of -40 Db (0:45)</p><p></p><p>38. Music Recorded Withl Transfer Level Of -50 Db (0:45)</p><p></p><p>39. Music Recorded Withl Transfer Level Of -60 Db (0:45)</p><p></p><p>40. Music Recorded Withl Transfer Level Of -70 Db (0:43)</p><p></p><p>41. Recording Of Digital Black Or 0 Bits (1:00)</p><p></p><p>42. High Frequency Low Level Alternating Between 0000</p><p></p><p>&amp; Ffff (0:35)</p><p></p><p>43. She Disc" / Correlated Pink Noise 20 Hz To 20 Khz (1:04)</p><p></p><p>44. Uncorrelated Pink Noise 20 Hz To 20 Khz (2:02)</p><p></p><p>45. Pink Noise Raised In 1 Db Steps Every 3 Seconds (0:23)</p><p></p><p>46. Pink Noise Raised In 3 Db Steps 4 Times (0:15)</p><p></p><p>47. 1-3 Octive Pink Noise At 25 - 31.5 - 40 Hz (0:32)</p><p></p><p>48. 1-3 Octive Pink Noise At 50 - 63 - 80 Hz (0:29)</p><p></p><p>49. 1-3 Octive Pink Noise At 100 - 125 - 160 Hz (0:30)</p><p></p><p>50. 1-3 Octive Pink Noise At 200 - 250 - 315 Hz (0:30)</p><p></p><p>51. 1-3 Octive Pink Noise At 400 - 500 - 630 Hz (0:30)</p><p></p><p>52. 1-3 Octive Pink Noise At 800 Hz - 1 - 1.2 Khz (0:31)</p><p></p><p>53. 1-3 Octive Pink Noise At 1.6 - 2 - 2.5 Khz (0:30)</p><p></p><p>54. 1-3 Octive Pink Noise At 3.15 - 4 - 5 Khz (0:30)</p><p></p><p>55. 1-3 Octive Pink Noise At 6.3 - 8 - 10 Khz (0:29)</p><p></p><p>56. 1-3 Octive Pink Noise At 12.5 - 16 - 20 Khz (0:32)</p><p></p><p>57. 20 Hz To 20 Khz Continuous Warble (0:37)</p><p></p><p>58. 100 Hz To 20 Hz Warble For Subwoofer Evaluation (0:41)</p><p></p><p>59. Individual Frequencies From 10 Hz To 99 Hz (7:34)</p><p></p><p>60. Flat Low Distortion Sweep From 20 - 200 Hz (0:25)</p><p></p><p>61. Flat Low Distortion Sweep From 200 Hz - 2 Khz (0:17)</p><p></p><p>62. Flat Low Distortion Sweep From 2 - 20 Khz (0:20)</p><p></p><p>63. Contains The Musical Note A (440 Hz) (0:34)</p><p></p><p>64. 100 Hz Tone Burst With Duty Cycle Of 25% (1:05)</p><p></p><p>65. Same As Except At 1 Khz (1:04)</p><p></p><p>66. Same As Except At 10 Khz (1:05)</p><p></p><p>67. 100 Hz Square Wave (0:33)</p><p></p><p>68. Same As Except At 1 Khz (0:33)</p><p></p><p>69. Full Dynamics Of The Original Recording (1:04)</p><p></p><p>70. Compressed Version Of With Same Peak Level (1:04)</p><p></p><p>71. Tone With 0.03% Distortion (0:13)</p><p></p><p>72. Same As , Except With 0.1% Distortion (0:13)</p><p></p><p>73. Same As , Except With 0.3% Distortion (0:13)</p><p></p><p>74. Same As , Except With 1% Distortion (0:13)</p><p></p><p>75. Same As , Except With 3% Distortion (0:13)</p><p></p><p>76. Same As , Except With 10% Distortion (0:13)</p><p></p><p>77. Music With Distortion Of About 0.03% (0:33)</p><p></p><p>78. Same As , Except With 0.1% Distortion (0:33)</p><p></p><p>79. Same As , Except With 0.3% Distortion (0:33)</p><p></p><p>80. Same As , Except With 1% Distortion (0:33)</p><p></p><p>81. Same As , Except With 3% Distortion (0:33)</p><p></p><p>82. Same As , Except With 10% Distortion (0:33)</p><p></p><p>83. Musical Selection With No Added Delay (1:45)</p><p></p><p>84. Same As With 7 Ms Of Group Delay Below 100 Hz (1:45)</p><p></p><p>85. Standing Between Penske's Pits And Main Straightaway (0:39)</p><p></p><p>86. Short Walk Down Pit Row Of Race Car (2:32)</p></blockquote><p></p>
[QUOTE="blazian87, post: 8616972, member: 574798"] here you go guys. I had a copy and thought I'd share with you guys. [URL="http://www.mediafire.com/file/h8fnmit8fhemc6c/Sheffield_Lab.zip"]Sheffield Lab[/URL] You can use any burning program but if you guys don't have anything, here's IMG BURN [URL="http://www.mediafire.com/file/k11gx1o981owq7j/SetupImgBurn_2.5.8.0.exe"]SetupImgBurn_2.5.8.0[/URL] 01. The Power Of Seven /Stranger In My Bed(3:49) 02. Thelma Houston / Dish Rag (3:34) 03. Los Angeles Philharmonic / Dance Of The Knights - Prokofiev (2:09) 04. Adam Makowicz With Phil Woods / Dirty Blue (3:41) 05. Michael Ruff / Wishing Well (5:35) 06. Lincoln Mayorga & Distinguished Colleagues / Lincoln Mayorga & Distinguished Col1 Khz Sinewave At -20 Dbfs (2:49) 07. 1 Khz Sinewave At -20 Dbfs (1:04) 08. 1 Khz Sinewave At 0 Dbfs (1:03) 09. 20 Hz One Octive Warble (0:04) 10. 62 Hz One Octive Warble (0:04) 11. 125 Hz One Octive Warble (0:04) 12. 250 Hz One Octive Warble (0:04) 13. 500 Hz One Octive Warble (0:04) 14. 2.5 Khz One Octive Warble (0:04) 15. 5 Khz One Octive Warble (0:04) 16. 10 Khz One Octive Warble (0:04) 17. 15 Khz One Octive Warble (0:04) 18. 19 Khz One Octive Warble (0:07) 19. Person Counting From 1 To 25 (0:44) 20. Right Channel Identification (0:05) 21. Left Channel Identification (0:06) 22. Relative Polarity Between Left & Right Channels (0:13) 23. Polarity Pulses (0:59) 24. 1 Khz Sinewave With Bottom Half Clipped (1:03) 25. 3 People Describing Position On Sound Stage In Stereo (0:33) 26. Same As Except Talking Simultaneously (0:14) 27. Music For Evaluating Accuracy And Focus Of Sound Stage In Stereo (0:11) 28. Same As Except In Mono (l + R) (0:11) 29. Same As Except Sent To Left Channel Only (0:10) 30. Same As Center (0:10) 31. Same As Except Sent To Right Channel Only (0:10) 32. Same As Center (0:17) 33. Music Recorded With Normal Transfer Level Of 0 Db (0:45) 34. Music Recorded Withl Transfer Level Of -10 Db (0:45) 35. Music Recorded Withl Transfer Level Of -20 Db (0:45) 36. Music Recorded Withl Transfer Level Of -30 Db (0:45) 37. Music Recorded Withl Transfer Level Of -40 Db (0:45) 38. Music Recorded Withl Transfer Level Of -50 Db (0:45) 39. Music Recorded Withl Transfer Level Of -60 Db (0:45) 40. Music Recorded Withl Transfer Level Of -70 Db (0:43) 41. Recording Of Digital Black Or 0 Bits (1:00) 42. High Frequency Low Level Alternating Between 0000 & Ffff (0:35) 43. She Disc" / Correlated Pink Noise 20 Hz To 20 Khz (1:04) 44. Uncorrelated Pink Noise 20 Hz To 20 Khz (2:02) 45. Pink Noise Raised In 1 Db Steps Every 3 Seconds (0:23) 46. Pink Noise Raised In 3 Db Steps 4 Times (0:15) 47. 1-3 Octive Pink Noise At 25 - 31.5 - 40 Hz (0:32) 48. 1-3 Octive Pink Noise At 50 - 63 - 80 Hz (0:29) 49. 1-3 Octive Pink Noise At 100 - 125 - 160 Hz (0:30) 50. 1-3 Octive Pink Noise At 200 - 250 - 315 Hz (0:30) 51. 1-3 Octive Pink Noise At 400 - 500 - 630 Hz (0:30) 52. 1-3 Octive Pink Noise At 800 Hz - 1 - 1.2 Khz (0:31) 53. 1-3 Octive Pink Noise At 1.6 - 2 - 2.5 Khz (0:30) 54. 1-3 Octive Pink Noise At 3.15 - 4 - 5 Khz (0:30) 55. 1-3 Octive Pink Noise At 6.3 - 8 - 10 Khz (0:29) 56. 1-3 Octive Pink Noise At 12.5 - 16 - 20 Khz (0:32) 57. 20 Hz To 20 Khz Continuous Warble (0:37) 58. 100 Hz To 20 Hz Warble For Subwoofer Evaluation (0:41) 59. Individual Frequencies From 10 Hz To 99 Hz (7:34) 60. Flat Low Distortion Sweep From 20 - 200 Hz (0:25) 61. Flat Low Distortion Sweep From 200 Hz - 2 Khz (0:17) 62. Flat Low Distortion Sweep From 2 - 20 Khz (0:20) 63. Contains The Musical Note A (440 Hz) (0:34) 64. 100 Hz Tone Burst With Duty Cycle Of 25% (1:05) 65. Same As Except At 1 Khz (1:04) 66. Same As Except At 10 Khz (1:05) 67. 100 Hz Square Wave (0:33) 68. Same As Except At 1 Khz (0:33) 69. Full Dynamics Of The Original Recording (1:04) 70. Compressed Version Of With Same Peak Level (1:04) 71. Tone With 0.03% Distortion (0:13) 72. Same As , Except With 0.1% Distortion (0:13) 73. Same As , Except With 0.3% Distortion (0:13) 74. Same As , Except With 1% Distortion (0:13) 75. Same As , Except With 3% Distortion (0:13) 76. Same As , Except With 10% Distortion (0:13) 77. Music With Distortion Of About 0.03% (0:33) 78. Same As , Except With 0.1% Distortion (0:33) 79. Same As , Except With 0.3% Distortion (0:33) 80. Same As , Except With 1% Distortion (0:33) 81. Same As , Except With 3% Distortion (0:33) 82. Same As , Except With 10% Distortion (0:33) 83. Musical Selection With No Added Delay (1:45) 84. Same As With 7 Ms Of Group Delay Below 100 Hz (1:45) 85. Standing Between Penske's Pits And Main Straightaway (0:39) 86. Short Walk Down Pit Row Of Race Car (2:32) [/QUOTE]
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Sudden realization on Soundstage and T/A
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