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<blockquote data-quote="gunz4me" data-source="post: 5759403" data-attributes="member: 596464"><p>Truthfully I would stick with the DLS line over the Alpine if you can find a way to work them in.</p><p></p><p>Everyone calls me crazy, but I have yet to be impressed by the full range PDX amps. That was the one amp that I could pick out with my back turned to the soundboard between JL Audio 300-4 and Rockford Fosgate T600-4. The Alpine PDX had less midbass than the JL Audio and the Rockford Fosgate. Granted, it could have been a setup issue, but the same amps were switched via the same switcher on the same components and same head unit with the same song playing, so I would tend to think that the PDX is just a colder/flatter amp. Oddly, I couldn't tell a difference between the JL Audio and the Rockford Fosgate but every time that PDX 4.100 was switched in, I could immediately tell.</p></blockquote><p></p>
[QUOTE="gunz4me, post: 5759403, member: 596464"] Truthfully I would stick with the DLS line over the Alpine if you can find a way to work them in. Everyone calls me crazy, but I have yet to be impressed by the full range PDX amps. That was the one amp that I could pick out with my back turned to the soundboard between JL Audio 300-4 and Rockford Fosgate T600-4. The Alpine PDX had less midbass than the JL Audio and the Rockford Fosgate. Granted, it could have been a setup issue, but the same amps were switched via the same switcher on the same components and same head unit with the same song playing, so I would tend to think that the PDX is just a colder/flatter amp. Oddly, I couldn't tell a difference between the JL Audio and the Rockford Fosgate but every time that PDX 4.100 was switched in, I could immediately tell. [/QUOTE]
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