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<blockquote data-quote="Buck" data-source="post: 8771835" data-attributes="member: 591582"><p>That&#039;s a good idea.&nbsp; I had an audio friend build the first series 6th order I ever designed for his HDC310 (iirc) back in the day.&nbsp; I definitely messed up the tuning, and I think he wound up separating his spider or something.&nbsp; Series 6th orders are very rewarding when they&#039;re done correctly.&nbsp; They can be an absolute pain in the rear to internally lay everything out without any of the ports or sub(s) hitting each each other.&nbsp; It takes some time to be confident with series 6th orders, that&#039;s for sure, and there&#039;s so many ways you can do them.&nbsp; You can do small or huge front chambers, all sorts of different port areas and box volumes, depending on your aim with the enclosure.&nbsp; I think people should give a musical series 6th&#039;s a chance, because they can be designed for bass heavy music and actually play a decent bandwidth.</p></blockquote><p></p>

[QUOTE="Buck, post: 8771835, member: 591582"] That's a good idea. I had an audio friend build the first series 6th order I ever designed for his HDC310 (iirc) back in the day. I definitely messed up the tuning, and I think he wound up separating his spider or something. Series 6th orders are very rewarding when they're done correctly. They can be an absolute pain in the rear to internally lay everything out without any of the ports or sub(s) hitting each each other. It takes some time to be confident with series 6th orders, that's for sure, and there's so many ways you can do them. You can do small or huge front chambers, all sorts of different port areas and box volumes, depending on your aim with the enclosure. I think people should give a musical series 6th's a chance, because they can be designed for bass heavy music and actually play a decent bandwidth. [/QUOTE]

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