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<blockquote data-quote="HCCA" data-source="post: 4036973" data-attributes="member: 571196">Yes, the passive crossovers have a 3 position attenuation switch... 0 db, -2 db, and -4 db. The tweeters usually are descibed as harsh by those that don&#039;t have their system adjusted properly. You need to get the gains adjusted properly. The harshness heard is usually the amps, EQ&#039;s, HU, something... clipping. Silk, or poly tweeters usually won&#039;t respond as high as a metal tweeter , so you actually hear the distortion from metal tweeters that other tweeters will not reproduce. Metal tweeters are almost too accurate. That&#039;s why silk, or poly tweets are preferred by some. Metal tweets can be touchy to get to sound right. However, after hearing the Pro&#039;s for the first time, I know that they CAN be adjusted to sound great.Actually, the Z6&#039;s were the higher performing set than the Pro 60&#039;s, but the Z6&#039;s were replaced by the SPZ&#039;s.</blockquote>

[QUOTE="HCCA, post: 4036973, member: 571196"] Yes, the passive crossovers have a 3 position attenuation switch... 0 db, -2 db, and -4 db. The tweeters usually are descibed as harsh by those that don't have their system adjusted properly. You need to get the gains adjusted properly. The harshness heard is usually the amps, EQ's, HU, something... clipping. Silk, or poly tweeters usually won't respond as high as a metal tweeter , so you actually hear the distortion from metal tweeters that other tweeters will not reproduce. Metal tweeters are almost too accurate. That's why silk, or poly tweets are preferred by some. Metal tweets can be touchy to get to sound right. However, after hearing the Pro's for the first time, I know that they CAN be adjusted to sound great. Actually, the Z6's were the higher performing set than the Pro 60's, but the Z6's were replaced by the SPZ's. [/QUOTE]

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