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<blockquote data-quote="95stroked1500" data-source="post: 2076141" data-attributes="member: 569805"><p>for it to be legal at a comp-</p><p></p><p>1.- has to be an available production sub for sale</p><p></p><p>2.- has to be powered by standard audio equip.</p><p></p><p>for it to be cool and a crowd pleaser... anything goes!</p><p></p><p>hydraulic sub has been done many, many years back. if i remember the story right from the speaker engineer from europe who did it, i think they did a 48" sub +/- for a movie or some effect in one.</p><p></p><p>1/2" xmax = 1" linear P2P. and 22,000w equivalent @ 25hz i imagine will slam your cone to the end of it's stroke in a bad way.</p><p></p><p>in your calculations for 300 electrical watts, did you figure in efficiency? that on a good day 300 electrical watts only equates to 3 acoustical watts with a decently efficient speaker?</p></blockquote><p></p>
[QUOTE="95stroked1500, post: 2076141, member: 569805"] for it to be legal at a comp- 1.- has to be an available production sub for sale 2.- has to be powered by standard audio equip. for it to be cool and a crowd pleaser... anything goes! hydraulic sub has been done many, many years back. if i remember the story right from the speaker engineer from europe who did it, i think they did a 48" sub +/- for a movie or some effect in one. 1/2" xmax = 1" linear P2P. and 22,000w equivalent @ 25hz i imagine will slam your cone to the end of it's stroke in a bad way. in your calculations for 300 electrical watts, did you figure in efficiency? that on a good day 300 electrical watts only equates to 3 acoustical watts with a decently efficient speaker? [/QUOTE]
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