Menu
Forum
General Car Audio
Subwoofers
Speakers
Amplifiers
Head Units
Car Audio Build Logs
Wiring, Electrical and Installation
Enclosure Design & Construction
Car Audio Classifieds
Home Audio
Off-topic Discussion
The Lounge
What's new
Search forums
Gallery
New media
New comments
Search media
Members
Registered members
Current visitors
Classifieds Member Feedback
SHOP
Shop Head Units
Shop Amplifiers
Shop Speakers
Shop Subwoofers
Shop eBay Car Audio
Log in / Register
Forum
Search
Search titles and first posts only
Search titles only
Search titles and first posts only
Search titles only
Log in / Join
What’s new
Search
Search titles and first posts only
Search titles only
Search titles and first posts only
Search titles only
General Car Audio
Subwoofers
Speakers
Amplifiers
Head Units
Car Audio Build Logs
Wiring, Electrical and Installation
Enclosure Design & Construction
Car Audio Classifieds
Home Audio
Off-topic Discussion
The Lounge
What's new
Search forums
Menu
Reply to thread
Forum
Car Audio Discussion
General Car Audio
Loudness War!!!!!!
JavaScript is disabled. For a better experience, please enable JavaScript in your browser before proceeding.
You are using an out of date browser. It may not display this or other websites correctly.
You should upgrade or use an
alternative browser
.
Message
<blockquote data-quote="joetama" data-source="post: 3102545" data-attributes="member: 564641"><p>Well LIVE is always going to be a whole different animal than studio.</p><p></p><p>A shit ton of live stuff sucks anus juice... However if you have a REALLY good FOH (Front of House, the guy who mixes the show) guy then it rocks. Primus Hallucino-Genetics is a perfect example of what I am saying. But, live also depends on the band being able to play live as well as their 'over processed' studio sound. Many bands today **** so much that if they had a live DVD it would sound terrible. But, most of the people that listen to those bands really have no clue so, whats the use.</p><p></p><p>Really actually what is causing this problem is producers and engineers relying so heavily on a compressor. Many people who have worked in the audio industry can hear the compressor 'sound' if you look for it and it amazes me when I listen to a CD and hear the squash sound. It just kills me...</p><p></p><p>CD may have much more dynamic range than vinyl, but **** vinyl usually uses it.. LAWL...</p></blockquote><p></p>
[QUOTE="joetama, post: 3102545, member: 564641"] Well LIVE is always going to be a whole different animal than studio. A shit ton of live stuff sucks anus juice... However if you have a REALLY good FOH (Front of House, the guy who mixes the show) guy then it rocks. Primus Hallucino-Genetics is a perfect example of what I am saying. But, live also depends on the band being able to play live as well as their 'over processed' studio sound. Many bands today **** so much that if they had a live DVD it would sound terrible. But, most of the people that listen to those bands really have no clue so, whats the use. Really actually what is causing this problem is producers and engineers relying so heavily on a compressor. Many people who have worked in the audio industry can hear the compressor 'sound' if you look for it and it amazes me when I listen to a CD and hear the squash sound. It just kills me... CD may have much more dynamic range than vinyl, but **** vinyl usually uses it.. LAWL... [/QUOTE]
Insert quotes…
Verification
Post reply
Forum
Car Audio Discussion
General Car Audio
Loudness War!!!!!!
Top
Menu
What's new
Forum list