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<blockquote data-quote="wickedwitt" data-source="post: 7696126" data-attributes="member: 622908"><p>You're still backwards. Subsonic all the way down (or off if you have a proper box and power)[or, the lowest note you want the subs to play full tilt], Low pass at the level in which you want the bass to start cutting off. Think of the low pass as the highest frequency you want the amp putting out full power. If you want the subs to start fading at 80hz, it should be set to 80hz.</p><p></p><p>High pass is the exact opposite. If you want to stop frying mids, you would set the high pass to the lowest note you would want them playing full potential. For example, my 4x6 high pass is at 160hz, my front door coaxs are set to 125. I am losing a bit of frequency range by this, but I know I'll never blow a mid because it is trying to play an 80hz note.</p></blockquote><p></p>
[QUOTE="wickedwitt, post: 7696126, member: 622908"] You're still backwards. Subsonic all the way down (or off if you have a proper box and power)[or, the lowest note you want the subs to play full tilt], Low pass at the level in which you want the bass to start cutting off. Think of the low pass as the highest frequency you want the amp putting out full power. If you want the subs to start fading at 80hz, it should be set to 80hz. High pass is the exact opposite. If you want to stop frying mids, you would set the high pass to the lowest note you would want them playing full potential. For example, my 4x6 high pass is at 160hz, my front door coaxs are set to 125. I am losing a bit of frequency range by this, but I know I'll never blow a mid because it is trying to play an 80hz note. [/QUOTE]
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