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<blockquote data-quote="Fast1one" data-source="post: 4282947" data-attributes="member: 567387">Just messing around with 180 deg phase shift (wiring speakers out pf phase)...The thing is, the human brain decodes the audio spectrum in different manners. To FULLY enjoy solid imaging in the center, you need to be able to attenuate frequencies above ~500hz so you can match the loudness of each speaker (since the driver side speakers are closer). This is why its so beneficial to go three way, because anything below around ~500hz (some say as low as 200hz) is distance dependent (meaning you would need T/A) while everything above that point is just based on perceived loudness...Won&#039;t dive to far into the subject though, since you have a 2 way front stage and a deck that isn&#039;t active capable your options are limited. It should still sound great, but the only thing you can play with are crossover points and phase...good luck //content.invisioncic.com/y282845/emoticons/smile.gif.1ebc41e1811405b213edfc4622c41e27.gif</blockquote>

[QUOTE="Fast1one, post: 4282947, member: 567387"] Just messing around with 180 deg phase shift (wiring speakers out pf phase)... The thing is, the human brain decodes the audio spectrum in different manners. To FULLY enjoy solid imaging in the center, you need to be able to attenuate frequencies above ~500hz so you can match the loudness of each speaker (since the driver side speakers are closer). This is why its so beneficial to go three way, because anything below around ~500hz (some say as low as 200hz) is distance dependent (meaning you would need T/A) while everything above that point is just based on perceived loudness... Won't dive to far into the subject though, since you have a 2 way front stage and a deck that isn't active capable your options are limited. It should still sound great, but the only thing you can play with are crossover points and phase...good luck [IMG]//content.invisioncic.com/y282845/emoticons/smile.gif.1ebc41e1811405b213edfc4622c41e27.gif[/IMG] [/QUOTE]

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