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<blockquote data-quote="mat3833" data-source="post: 8803536" data-attributes="member: 587645"><p>The Dayton is a better option for your sub signal if you want the adjustability. You have 8 channels of output on the Dayton that you can assign however you want. It accepts 4 channel input: right front, left front, right rear, left rear. </p><p></p><p>I would use the DSP as follows :</p><p></p><p>Output-</p><p>1+2 are left and right front for the Rockford comps. High pass at 100hz 24db/octave</p><p>3+4 are left and right rear for the 6x9. High pass at 80hz 24db/octave low pass at 2000hz 24db/octave</p><p>Ch 7+8 are sub, low pass at 80hz 24db/octave, and if it's a ported enclosure high pass at 24hz 24db/octave.</p><p></p><p>All crossover slopes should be Linkwitz/Riley style if it's an option. </p><p></p><p>Matt</p></blockquote><p></p>
[QUOTE="mat3833, post: 8803536, member: 587645"] The Dayton is a better option for your sub signal if you want the adjustability. You have 8 channels of output on the Dayton that you can assign however you want. It accepts 4 channel input: right front, left front, right rear, left rear. I would use the DSP as follows : Output- 1+2 are left and right front for the Rockford comps. High pass at 100hz 24db/octave 3+4 are left and right rear for the 6x9. High pass at 80hz 24db/octave low pass at 2000hz 24db/octave Ch 7+8 are sub, low pass at 80hz 24db/octave, and if it's a ported enclosure high pass at 24hz 24db/octave. All crossover slopes should be Linkwitz/Riley style if it's an option. Matt [/QUOTE]
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