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<blockquote data-quote="ronjon228" data-source="post: 4197799" data-attributes="member: 551820">I know, no trouble at all my friend.And I totally agree that almost anything I&#039;m using software to do, can be done with various hardware.&nbsp; I just went with the PC as a source unit for unlimited music space (8000+ mp3&#039;s) and customization (different front ends, DSP control, etc).&nbsp; It&#039;s just easier for me on the PC screen because I&#039;m a computer nerd first, audiophile second.&nbsp; //content.invisioncic.com/y282845/emoticons/biggrin.gif.d71a5d36fcbab170f2364c9f2e3946cb.gifI too want to do what you&#039;re doing with the tweets and mids using their own dedicated T/A and attenuation, etc. in the near future.However, right now I&#039;m going to worry about my sub to midrange driver balance.&nbsp; Once I get that all squared away I&#039;ll move on to running full active and getting the tweeter positions and other active DSP settings all tuned nicely.I can&#039;t do the entire system active just yet.&nbsp; Not enough experience with all this DSP, active crossovers and the like to do the whole ball game just yet.Attached is an example of the DSP I&#039;m using.&nbsp; Each plugin is represented by a window inside the DSP.&nbsp; Then, each plugin (as you can see) has input and output points.&nbsp; You start with a source sound, and then work your way over to your outputs, which can also be completely rerouted if need be. It&#039;s an AMAZING piece of software really.&nbsp;&nbsp; You can do anything from digital music recorded, to studio quality audio production, to simple MP3 music play back.Each one of those windows inside the DSP can be clicked on, and all the options are loaded up for that plugin, allowing you to change them.&nbsp; The best part is, you can do everything on the fly. Including bypassing or disabling a plugin or entire channel completely.&nbsp; It&#039;s nice if you want to see how your setup will sound with a plugin on/off in real time to see how it affects everything.</blockquote>

[QUOTE="ronjon228, post: 4197799, member: 551820"] I know, no trouble at all my friend. And I totally agree that almost anything I'm using software to do, can be done with various hardware. I just went with the PC as a source unit for unlimited music space (8000+ mp3's) and customization (different front ends, DSP control, etc). It's just easier for me on the PC screen because I'm a computer nerd first, audiophile second. [IMG]//content.invisioncic.com/y282845/emoticons/biggrin.gif.d71a5d36fcbab170f2364c9f2e3946cb.gif[/IMG] I too want to do what you're doing with the tweets and mids using their own dedicated T/A and attenuation, etc. in the near future. However, right now I'm going to worry about my sub to midrange driver balance. Once I get that all squared away I'll move on to running full active and getting the tweeter positions and other active DSP settings all tuned nicely. I can't do the entire system active just yet. Not enough experience with all this DSP, active crossovers and the like to do the whole ball game just yet. Attached is an example of the DSP I'm using. Each plugin is represented by a window inside the DSP. Then, each plugin (as you can see) has input and output points. You start with a source sound, and then work your way over to your outputs, which can also be completely rerouted if need be. It's an AMAZING piece of software really. You can do anything from digital music recorded, to studio quality audio production, to simple MP3 music play back. Each one of those windows inside the DSP can be clicked on, and all the options are loaded up for that plugin, allowing you to change them. The best part is, you can do everything on the fly. Including bypassing or disabling a plugin or entire channel completely. It's nice if you want to see how your setup will sound with a plugin on/off in real time to see how it affects everything. [/QUOTE]

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